Lady Cheyne,—that kindly soul who was never so happy as when giving a
hand to a stray dog. It might easily happen, the weather being so good,
that she had already left town. That would be wonderful. But if not, if
she were still busy with her musicians and their concerts, then she must
be seen and influenced to leave town, or, better still, called up on the
telephone at once. A tired little woman of the world needed a breath of
fresh air and the peace of a country garden. Would Lady Cheyne take
mercy on her, as she took mercy on so many people, and give her this
peace and this quietude?—Yes, that was the way. It was a brain wave.
Filled with determination no longer to wait for an opportunity, but to
make one, not to rely on fate, as she had been doing, but to treat fate
as though it were something alive, a man—Simpkins, Treadwell or
Chalfont—and cajole him, Lola proceeded to dress, with the blood
tingling in her veins, and imbued with the feeling of one who faces a
forlorn hope. But it was still too early to use the telephone to the
elderly lady who, if she were in town, had probably listened to music
into the small hours. She must wait and go on thinking. There were other
things to overcome, even if this one came right. How to wheedle a
holiday; to hint, if she dared, at her lack of clothes, a suit-case,
shoes.
The servants’ sitting room was empty. On Sunday, the ménage, except for
the cook, slept late. And so Lola marked time impatiently, achieving
breakfast from the sulky woman by flattery. Lady Feo had given out that
she was not to be disturbed until her bell rang. She would wake to find
Sunday in London,—a detestable idea. There was nothing for which to get
up.
Watching a clock that teased her with its sloth, Lola went over and over
the sort of thing to say to Lady Cheyne, disturbed in her current of
thought by the suddenly garrulous cook who insisted on telling the whole
story of her life, during the course of which she had buried a drunkard
and married a bigamist and lost her savings and acquired asthma,—a
dramatic career, even for a cook. But at nine-thirty, unable to control
herself any longer, she ran upstairs to Feo’s alarming den, hunted out
Lady Cheyne’s number in the book and eventually got into communication
with an operator who might, from her autocratic manner, very easily have
been Mrs. Trotsky, or the wife of a labor leader, or a coal-miner’s
daughter, or indeed a telephone operator of the most approved type.
A sleepy and rather irritable voice said, “Well?—but isn’t it a little
early to ring any one up and on a Sunday morning too?”
Lola made a wry face. That was not a good beginning. And then, in her
sweetest voice, “Am I speaking to dear Lady Cheyne?”
“Yes, it’s Fanny Cheyne, lying in bed with this diabolical instrument on
her chest, but not feeling very dear, my dear, whoever you are, and I
don’t know your voice.”
“It’s Madame de Brèzè and I’m so very sorry to disturb you.”
Public-domain text, read in full here on John Shaqi.
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