Zalouhou, the violinist, was one of the biggest men Lola had ever seen.
He stood six foot six in a pair of dilapidated boots and possessed a
completely unathletic figure with hips like a woman, large soft hands
with long loose fingers and a splendid leonine head with a mass of black
hair streaked with white. He towered over the other little people like a
modern Gulliver. His face was clean-shaven, with fine features and a
noble forehead and a pair of eyes which had never failed to do more to
attract crowded matinées of his country women in the old days than the
beauty of his playing and the mastery of his technique. He had only just
arrived in London, penniless, and in a suit of clothes in which he had
slept on many waysides. He had fought for his country and against his
country, never knowing why and never wanting to fight, and all the while
he had clung desperately to his violin which he had played to ragamuffin
troops in order to be supplied with an extra hunk of bread and a drink
of coffee. The story of his five or six years of mental and physical
chaos, every moment of which was abhorrent to his gentle spirit, was
stamped deeply upon his face.
Even as Lola was being escorted upstairs to her room by a thrilled
country maid, there was a crash upon the piano in the hall and an
outburst of song. What that little house thought of all those
extraordinary people who could not keep quiet under any circumstance
would have filled a book. The ghosts of former residents, farming
people, must have stood about in horror and surprise. And yet, as Lady
Cheyne well knew, they were all simple souls ready to go into ecstasies
at the sight of a daisy and imbued with genuine loyalty towards each
other.
Public-domain text, read in full here on John Shaqi.
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