Was it moonlight, the magic of the night, the throbbing song of the
nightingale that made him seem as young as she?—No. What then? And as he
looked into the eyes of that girl and caught his breath at her
disturbing femininity and disordering sense of sex and the sublime
unself-consciousness of a child, without challenge and without coquetry,
he knew that it was something to be summed up by the words “the rustle
of silk,” which epitomized beauty and softness and scent, laughter,
filmy things and love. And he thanked his gods that not even Feo and the
wear and tear of politics had left him out of youth.
And he thanked her for coming to break his loneliness and led her
through the sleeping flowers, and those figures which had died again
since life had come amongst them, to the arbor made of yews where he had
slept that afternoon. And there, high above the sweeping valley among
whose villages little lights were blinking like far-off fireflies, they
sat and talked and talked, at first like boy and girl, meeting after
separation, telling everything but nothing, shirking the truth to save
it for a time, and then, presently, with no lights left below and all
the earth asleep, like man and woman, reading the truth in eyes that
made no effort to disguise it; telling the truth, in broken words;
learning the truth from heart that beat to heart until the moon had done
her duty and stars had faded out and up over the ridge of hills,
reluctantly, a new day came.
PART VII
I
Fallaray was to meet Lola at the gate in the wall at four o’clock. He
wanted to show her how the vale looked in the light of the afternoon
sun. But it was a long time to wait because, instead of going to bed
after he had taken Lola to Lady Cheyne’s cottage at the moment when a
line in the sky behind it had been rubbed by a great white thumb, he had
walked up and down the terrace and watched the dawn push the night away
and break upon him with a message of freedom.
He paced up and down while the soft blur of the valley came out into the
clear detail of corn fields, rolling acres of grass, sheep dotted, a
long white ribbon of road twisting among villages, each one marked by
the delicate spire of an old church, spinneys of young trees and clumps
of old ones, gnarled and twisted and sometimes lonely, standing like the
sentinels that receive “the secret whispers of each other’s watch.”
Public-domain text, read in full here on John Shaqi.
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