Soon the roof, duly thickened and reinforced, has nothing more to fear
from pressure. Then the ruthless stamping begins, the rough work which
transfers the leading part to the male. In the Stercoraceous Geotrupes
the difference in size and vigour between the sexes is striking. Here
indeed we have a very exceptional case: Philemon belongs to the
stronger sex. He is distinguished by his portly figure and muscular
energy. Take him in your hand and squeeze. I defy you to stand it, if
your skin is at all sensitive to pain. With his sharp-toothed and
convulsively stiffened legs, he digs into your flesh; he slips like an
irresistible wedge into the spaces between your fingers. It is more
than you can bear; and you have to let the creature go.
In the household he performs the function of an hydraulic press. We
subject our packs of fodder to the action of the press in order to
reduce their cumbrous bulk; he likewise compresses and reduces the
stringy materials of his sausage. It is most often the male that I find
at the top of the cylinder, a top excavated to form a deep basket. This
basket receives the load brought down by the mother; and, like the
labourer trampling on the grapes at the bottom of the vintage-tub, the
Geotrupes presses and amalgamates his materials with the convulsive
effort of his galvanic movements. The operation is so well conducted
that the new load, at first not unlike a voluminous mass of coarse
lint, becomes a compact layer uniform with the one before it.
The mother, however, does not abdicate her rights: I find her now and
then at the bottom of the basin. Perhaps she has come to see how the
work is going on. Her touch, which is better-suited for the delicate
part of the rearing, will more readily discover the mistakes that need
correcting. Very likely also she comes to relieve her husband in these
exhausting compressive operations. She herself is strong, sturdy in the
legs and capable of working turn and turn about with her valiant
companion.
However, her usual place is at the top of the gallery. I find her there
at one time with the armful which she has just gathered, at another
with a heap made up of several loads placed in reserve for the work
down below. As and when it is wanted, she draws upon the heap and
gradually carries the materials down to be pressed by the male.
Public-domain text, read in full here on John Shaqi.
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