[25] In this Assembly Abu Zayd is found making gain by his usual questionable arts. At Rahbah, on the Euphrates, Harith beholds a crowd following an elderly man who is dragging along a handsome youth. The former accuses the boy of having killed his son, and it is agreed to go before the Governor. The purpose of the elder, who proves in the end to be Abu Zayd, is simply to induce the Governor to buy off so handsome a youth from punishment, with the view of taking him into his own household. When they are in court the old man makes his charge, and as he has no witnesses the boy is allowed to clear himself by an oath. But the old man dictates an oath in which he enumerates all the beauties of the boy, and invokes destruction on them if truth be not spoken. The boy refuses to swear by such an oath; and the Governor, who desires to take him out of the power of the old man, then makes up a purse to satisfy the prosecutor. A hundred denars are promised; but as the whole can not be collected at once the old man says that he will not give up the boy, but will watch him all night. The Governor consents, and soon the two are left together in the courtyard. Harith then accosts Abu Zayd, and asks who is the boy. Abu Zayd replies, that he is his son, and his assistant in his tricks; and that they intend to make their escape early in the morning, and leave the Governor to his disappointment. [26] This and the following Assembly are justly reckoned among the masterpieces of the author. To pass suddenly from the most solemn subjects to pleasantry, to place in the mouth of a clever impostor the most serious warnings that can be addressed to mankind, may be morally objectionable; but in the Moslem world, where religion is mixed up with all the concerns of life, and pious discourse and phrases abound, it excites little repugnance. The design of the author in the present composition was to produce an elaborate sermon in rhymed prose and in verse, and his genius takes a higher flight than usual. The incident on which the Assembly is founded is simple. Harith, in a fit of religious zeal, betakes himself to the public burial-ground of the city of Saweh, for the purpose of contemplation. He finds a funeral in progress, and when it is over, an old man, with his face muffled in a cloak, takes his stand on a hillock, and pours forth a discourse on the certainty of death and judgment; rebuking his hearers for their worldly selfishness, and warning them that wealth and power are of little avail against the general leveler. He then rises into poetry and declaims a piece which is one of the noblest productions of Arabic literature. In lofty morality, in religious fervor, in beauty of language, in power and grace of meter, this magnificent hymn is unsurpassed.