The Sacred Books and Early Literature of the East, Volume 6 (of 14): Medieval Arabic, Moorish, and Turkish
Religion
The Sacred Books and Early Literature of the East, Volume 6 (of 14): Medieval Arabic, Moorish, and Turkish
Oriental literature -- Translations into English
[30] Shafay, the founder of one of the four orthodox sects into which
the Mohammedans are divided, was a disciple of Malek Ben Ans, and
master to Ahmed Ebn Hanbal; each of whom, like himself, founded a sect
which is still denominated from the name of its author. The fourth sect
is that of Abou Hanifah.
[31] The author of this poem was a hermit of Syria, equally celebrated
for his talents and piety. He was son to a prince of Khorassan, and
born about the ninety-seventh year of the Hegira. This poem was
addressed to the Caliph upon his undertaking a pilgrimage to Mecca.
[32] Isaac Al Mouseli is considered by the Orientals as the most
celebrated musician that ever flourished in the world. He was born in
Persia, but having resided almost entirely at Mousel, he is generally
supposed to have been a native of that place.
[33] The family of Barmec was one of the most illustrious in the East.
They were descended from the ancient kings of Persia, and possessed
immense property in various countries; they derived still more
consequence from the favor which they enjoyed at the court of Bagdad,
where, for many years, they filled the highest offices of the State
with universal approbation.
[34] Taher Ben Hosien was ambidexter and one-eyed and, strange to say,
the most celebrated general of his time.
[35] Abu Tammam is noted as the first collector of the works of earlier
poets. He gathered these in a valuable anthology. He was born near
Damascus A.D. 807, and educated in Egypt; but the principal part of his
life was spent at Bagdad, under the patronage of the Abasside Caliphs.
[36] Abu Al Salam was a poet more remarkable for abilities than
morality. We may form an idea of the nature of his compositions from
the nickname he acquired amongst his contemporaries of "Cock of the
Evil Genii."
[37] The three following songs were written by Mashdud, Rakeek, and
Rais, three of the most celebrated improvisators in Bagdad, at an
entertainment given by Abou Isy.
[38] Ebn Alrumi is reckoned by the Arabian writers as one of the most
excellent of all their poets. He was by birth a Syrian, and passed the
greatest part of his time at Emessa.
[39] Ali Ibn Ahmed distinguished himself in prose as well as poetry,
and a historical work of considerable reputation, of which he was the
author, is still extant. But he principally excelled in satire, and
so fond was he of indulging this dangerous talent that no one escaped
his lash; if he could only bring out a sarcasm, it was matter of
indifference to him whether an enemy or a brother smarted under its
severity. He died at Bagdad A.D. 898.
[40] The thought contained in these lines appears so natural and so
obvious, that one wonders it did not occur to all who have attempted to
write upon a birthday or a death.
[41] Radhi Billah, son to Moctader, was the twentieth Caliph of the
house of Abbas, and the last of these princes who possessed any
substantial power.
Public-domain text, read in full here on John Shaqi.
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