The sacred dance : $b A study in comparative folkloreOesterley, W. O. E. (William Oscar Emil)
Religion
The sacred dance : $b A study in comparative folklore
Oesterley, W. O. E. (William Oscar Emil)
Dance -- Religious aspects -- History
Again, among the Thompson Indians of British Columbia, “when the men were
on the war-path, the women performed dances at frequent intervals. These
dances were believed to ensure the success of the expedition.” The same
holds good among the Yuki tribe of Indians in California; the women at
home danced, believing that this would ensure victory. So, too, among the
Haida women who danced and sang while their husbands were away fighting;
also among the women in the Kafir district of the Hindoo Koosh of whom
Sir George Robertson reports that he
more than once watched the dancers dancing at midnight and in
the early morning, and could see by the fitful glow of the
wood-fire how haggard and tired they looked, yet how gravely
and earnestly they persisted in what they regarded as a serious
duty[302].
In all these cases the dancing is in the nature of sympathetic magic, and
has, therefore, an entirely different purpose from that of the previous
instances cited, namely that of ensuring victory. While in the cases of
ghost-propitiation the dancing, though essential, is subordinate, in the
sympathetic magical, or telepathic, type it is central.
One other example is worth giving, for it is one in which the dancing
takes place as a welcome to the warriors on their return from battle, and
is, therefore, not of a telepathic nature; on the other hand, it does not
appear to be undertaken with the idea of propitiating the ghosts of the
slain, while the frightening of them away is not done by the dancers.
Frazer, quoting van der Roest[303], gives this example in the following
words:
In Windessi, Dutch New Guinea, when a party of head-hunters
has been successful, and they are nearing home, they announce
their approach and success by blowing on triton shells. Their
canoes are also decked with branches. The faces of the men who
have taken a head are blackened with charcoal. If several have
taken part in killing the same victim, his head is divided
among them. They always time their arrival so as to reach
home in the early morning. They come rowing to the village
with a great noise, and the women stand ready to dance in the
verandahs of the houses.... The day is spent very quietly. Now
and then they drum or blow on the conch; at other times they
beat the walls of the houses with loud shouts to drive away the
ghosts of the slain.
Public-domain text, read in full here on John Shaqi.
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