The sacred dance : $b A study in comparative folkloreOesterley, W. O. E. (William Oscar Emil)
Religion
The sacred dance : $b A study in comparative folklore
Oesterley, W. O. E. (William Oscar Emil)
Dance -- Religious aspects -- History
But even among friends there are cases in which the ghost of the deceased
is annoyed and has to be kept in the grave so that the surviving
relatives may not be molested by it; and the dance figures as part of the
ceremony. Thus, among the Arunta of Central Australia as a finale to the
mourning period the people gather on the spot where the deceased died,
viz. the site where he once lived and which is now burnt and deserted.
Here the men and women dance round the charred remains, the men beating
the air with their spears, the women doing likewise with the palms of
their hands and all shouting _Wah! Wah! Wah! wa-a-ah!_ This, we take it,
is done to drive off both the ghost of the deceased and any evil spirits
which may be lurking about the unhallowed spot. When the dancing, the
description continues,
which lasted about ten minutes, was over, the party proceeded
to the grave at a run, the leader making a circuit from the
main party, shouting wildly with a very prolonged intonation,
_Ba-au! Ba-au!_ The idea of the leading man making a circuit
was, perhaps, though the natives could give no explanation, to
prevent the spirit from doubling back to the camp from which
they were supposed to be driving him.
When he reached the grave, into which the spirit of the dead man was
supposed to have fled, he began dancing wildly upon it. He was soon
joined by the rest of the party who began
to dance backwards and forwards on and around the grave,
shouting _Wah! Wah!_ and beating the air downwards as if to
drive the spirit down, while with their feet they stamped upon
and broke the twigs with which a newly made grave is always
covered. When these were thoroughly broken up the dancing
ceased[390].
Public-domain text, read in full here on John Shaqi.
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