The sacred dance : $b A study in comparative folkloreOesterley, W. O. E. (William Oscar Emil)
Religion
The sacred dance : $b A study in comparative folklore
Oesterley, W. O. E. (William Oscar Emil)
Dance -- Religious aspects -- History
[276] Frazer, _ibid._; Marquardt, _Römische Staatsverwaltung_, III.
427 f. (1885); Aust, _op. cit._ p. 130; Cirilli, _Les Prêtres Danseurs
de Rome_, pp. 97 ff. (1913); for Harvest Festivals generally among the
Romans see Wissowa, _Religion und Kultus der Römer_, pp. 191 ff., for
the _Hilaria_, pp. 321 ff. (1912); Roscher, _Ausführliches Lexikon der
griechischen und römischen Mythologie_, s.v. Attis, I. 715 ff. (1884);
for the _Vinalia_, Aust, _op. cit._ p. 173. Cp. Farnell, _The Evolution
of Religion_, p. 145 (1905).
[277] See, for illustrations not mentioned here, Lilly Grove, _op. cit._
pp. 65-92.
[278] This is given by Frazer, _GB_, _Spirits of the Corn_ ..., I. 95 f.,
from A. W. Nieuwenhuis, _Quer durch Borneo_, I. 167-169 (1904 ...).
[279] Frazer, _op. cit._ p. 107. See also Chalmers, _Pioneering in New
Guinea_, pp. 323 ff. H. L. Roth, _The Natives of Sarawak and British
North Borneo_, I. 262 (1896), says: “The Dyaks really seem to consider
dancing as a part of divine service, attributing to it some mysterious
and wholesome efficacy”;—they do not enquire why; it is taken for granted
that it is so.
[280] _Malay Magic_, p. 462 (1900).
[281] Cp. Réville, _Les Religions des peuples non-civilisés_, p. 269,
who tells of how the imitative magic dance develops into a specifically
religious act.
[282] _Op. cit._ p. 464; see, further, pp. 465 ff., and also Skeat
and Blagden, _Pagan Races of the Malay Peninsula_, I. 364 f., II. 119
ff., 126 ff., 137 with the illustration on p. 138; and for the negro
Baris, whose country is situated on either bank of the White Nile, see
Featherman, _Social History of the Races of Mankind_, I. 74 (1881).
[283] W. Schneider, _Die Religion der Afrikanischen Naturvölker_, pp.
52-58 (1891); Fritsch, _Die Eingeborenen Süd-Afrika’s_, p. 327 (1872).
[284] On initiation dances see Harrison, _Themis_, pp. 24 f.
[285] Bab. Talm. _Rosh Ha-shanah_ 16 _a_, Mishnah, _Sukkah_, IV. 9; cp.
Mishnah, _Berakôth_, V. 2; see also the curious story in Lucian, _De Dea
Syria_, XIII.; and for numbers of examples of rain-charms see Frazer,
_GB_, _The Magic Art_, I. 247-329.
[286] _The Threshold of Religion_, p. 76 (1909).
[287] _ERE_, X. 359 _b_.
[288] The root meaning of _ʿanah_ is “to sing,” see Isa. xxvi. 2, Exod.
xxxii. 18, Ps. cxix. 172; and cp. the cognate Arabic root _ghanna_; in
neo-Hebrew it is often used of singing in chorus.
[289] A different interpretation of the passage is given by a few
commentators, _e.g._ Briggs in the _Intern. Crit. Com._, but the natural
meaning seems to be as above.
[290] We have referred to this in another connexion, see p. 141. It is
probable that we have in this episode a combination of an historical fact
and some form of the Adonis myth.
[291] Pausan. IV. xvi. 4. See, further, Hermann, _Gottesdienstliche
Alterthümer_, §§ 24, 50.
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