The sacred dance : $b A study in comparative folkloreOesterley, W. O. E. (William Oscar Emil)
Religion
The sacred dance : $b A study in comparative folklore
Oesterley, W. O. E. (William Oscar Emil)
Dance -- Religious aspects -- History
But the religious emotion which thus finds expression is engendered by
an aspiration which is believed to be attained by means of the dance;
and this aspiration is nothing less than union with the deity. The loss
of consciousness which eventually takes place is replaced, so it is
believed, by the indwelling of the divine spirit; the body thus becomes
the temporary abode of the deity, and is utilized for divine purposes.
The first passage in the Old Testament with which we are specially
concerned is 1 Sam. x. 5 ff.:
... and it shall come to pass, when thou art come thither to
the city, that thou shalt meet a band (_ḥebel_) of prophets
coming down from the high place (_bāmāh_), and in front of
them harp and drum and pipe and lyre, and they shall be
prophesying...,
cp. xix. 20-24. It is true, no direct mention of the sacred dance is
made here, but in view of the enumeration of musical instruments which,
as we have seen, usually accompanied dancing, it is reasonable to assume
that a ritual dance was taking place. That it was a religious exercise
of some kind is made clear by the fact that they had come down from the
high place (_bāmāh_), _i.e._ a sanctuary. The technical name for such a
band of prophets, _ḥebel_, “rope” or “string” (cp. Josh. ii. 15), shows
that the procession was in single file[175]; with which we may compare
the sacred dance in single file depicted on the Hittite inscription at
Boghazkeui (see p. 59). The account given in the Old Testament of the
“prophesying” of these early prophets, and of the means employed whereby
they reached the pitch of excitement required for the purpose, is so
sober and restrained that it would be difficult to form a picture of
the whole proceeding without the help of analogous performances among
other peoples. And we are justified in believing that the practice of
this type of dance among other peoples does throw light on its mode of
performance among these Israelite prophets, because it is a question
here of a phenomenon, a curious phenomenon, which appears at a certain
stage of religious development, with few exceptions, all over the world.
Its details may, and do, differ; but the essence of the rite is the
same. There are innate tendencies in human nature which produce similar
results; and this is one of them. So that when the means used for
producing such results are given in greater detail in many cases, we are
justified in believing them to have been similar in a case in which, for
some reason or other, the details are only partially described. But if
the details of the means used to produce the result are somewhat lacking
in the Old Testament account, the result itself is stated clearly enough.
The object of all that took place was to be “possessed,”—in this case
by the spirit of Jahwe; for it was this “possession,” this indwelling
of the deity, which enforced the “prophesying.” In the passage before
us the centre of interest, in the eyes of the writer, is Saul. Of him
Public-domain text, read in full here on John Shaqi.
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