The sacred dance : $b A study in comparative folkloreOesterley, W. O. E. (William Oscar Emil)
Religion
The sacred dance : $b A study in comparative folklore
Oesterley, W. O. E. (William Oscar Emil)
Dance -- Religious aspects -- History
It will have been noticed that mention has been made of what are,
in effect, two distinct forms of what for the want of a better term
we have called the ecstatic dance, viz. that which had for its
object the bringing about of a state of semi-consciousness, or total
unconsciousness, during which state the deity was believed to take up
his abode in the body of the worshipper, _i.e._ union with the deity;
and that which had for its purpose the enforcing of the deity to answer
prayer. They differed in important particulars, to which we shall refer
again; but that wherein they were similar was the state of wild frenzy
which both ultimately assumed.
We shall now draw attention to some examples of both forms of this
ecstatic dance among other peoples.
II
It is a significant fact that, with the exception of Syria, there is
scarcely any evidence of the existence of the ecstatic dance among the
Semites. In the great mass of Babylonian and Assyrian texts of which
translations have been published[185] many refer to ritual of various
kinds; in these some incidental references to this type of dance might
have been expected to occur had such been in existence. We have sought
in vain among many of these translated texts for any hint of it; nor
have we been able to find in the works of authoritative writers on
Assyro-Babylonian religion any allusion to it. It may, we believe, be
accepted as a fact that the ecstatic dance was unknown among these
people; and this would accord with what is otherwise known of their
religious practices, which were austere and restrained.
What has been said applies also to the ancient Egyptians; evidence for
the existence of this type of religious dance does not appear on the
inscriptions, nor yet in Egyptian texts[186]. On the other hand, one
has only to think of the Dancing Dervishes to realize that the ecstatic
dance exists in Egypt at the present day. Tristram compares the dancing
of the modern dervishes with that of the early Israelite prophets; and
he gives an interesting description of Arabi Pasha leading a procession
with the sacred carpet for the Kaaba of Mecca out of Cairo on its way to
the Prophet’s shrine; “in front,” he says, “was a vast crowd of ulemas
and dervishes, leaping, bounding, swaying their arms, and whirling
round in time to the din of drums, trumpets, and cymbals which followed
them[187].” One feels that there must be a long history behind this, and
though the evidence is wanting it is difficult to believe that there was
not something of the kind in ages long since past.
Public-domain text, read in full here on John Shaqi.
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