The sacred dance : $b A study in comparative folkloreOesterley, W. O. E. (William Oscar Emil)
Religion
The sacred dance : $b A study in comparative folklore
Oesterley, W. O. E. (William Oscar Emil)
Dance -- Religious aspects -- History
the central motives of this oldest form of ritual were the
birth and death of the god—a conception pregnant of ideas that
were to develop in the religious future, but alien to the
ordinary Hellenic theology, though probably not unfamiliar to
the earlier Cretan-Mycenaean creed. But the death of this god
was partly a fact of ritual; he was torn to pieces by his mad
worshippers and devoured sacramentally, for the bull or the
goat or the boy that they rent and devoured was supposed to
be his temporary incarnation, so that by this savage, and at
times cannibalistic, communion they were filled with his blood
and his spirit, and acquired miraculous powers. By such an
act, and—we may suppose—by the occasional use of intoxicants
and other nervous stimulants, the psychic condition that
this worship evoked was frenzy and ecstasy, which might show
itself in a wild outburst of mental and physical force, and
which wrought up the enthusiastic feeling of self-abandonment,
whereby the worshipper escaped the limits of his own nature
and achieved a temporary sense of identity with the god, which
might avail him even after death. This privilege of ecstasy
might be used for the practical purposes of vegetation-magic,
yet was desired and proclaimed for its own sake as a more
intense mood of life. This religion preached no morality, and
could ill adapt itself to civic life; its ideal was supernormal
psychic energy.
Public-domain text, read in full here on John Shaqi.
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