The Sacred Formulas of the Cherokees: Seventh Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1885-1886, Government Printing Office, Washington, 1891, pages 301-398Mooney, James
Religion
The Sacred Formulas of the Cherokees: Seventh Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1885-1886, Government Printing Office, Washington, 1891, pages 301-398
Mooney, James
Cherokee Indians -- Religion; Cherokee language -- Texts; Indians of North America -- Medicine
In the recitation which follows the song, but is used only in serious
cases, the doctor prays to the whirlwind, which is considered to
dwell among the trees on the mountain side, where the trembling of the
leaves always gives the first intimation of its presence. He declares
that a small portion of the disease still remains, the spirits
invoked in the song having already taken the rest, and calls upon the
whirlwind to lay down a path for it and sweep it away into the swamp
on the upland, referring to grassy marshes common in the small coves
of the higher mountains, which, being remote from the settlements, are
convenient places to which to banish the disease. Not satisfied with
this, he goes on to direct the whirlwind to scatter the disease as it
scatters the leaves of the forest, so that it shall utterly disappear.
In the Cherokee formula the verb a‘ne´tsâge´ta means literally
“to play,” and is generally understood to refer to the ball play,
a´ne´tsâ, so that to a Cherokee the expression conveys the idea of
catching up the disease and driving it onward as a player seizes
the ball and sends it spinning through the air from between his ball
sticks. Niga´gĭ is a solemn expression about equivalent to the Latin
consummatum est.
The doctor beats up some bark from the trunk of the wild cherry and
puts it into water together with seven coals of fire, the latter
being intended to warm the decoction. The leaves of Tsâl-agayû´[n]li
(Indian tobacco--Nicotiana rustica) are sometimes used in place of the
wild cherry bark. The patient is placed facing the sunrise, and the
doctor, taking the medicine in his mouth, blows it over the body of
the sick man. First, standing between the patient and the sunrise and
holding the medicine cup in his hand, he sings the first verse in a
low tone. Then, taking some of the liquid in his mouth, he advances
and blows it successively upon the top of the head, the right
shoulder, left shoulder, and breast or back of the patient, making
four blowings in all. He repeats the same ceremony with the second,
third, and fourth verse, returning each time to his original position.
The ceremony takes place in the morning, and if necessary is repeated
in the evening. It is sometimes necessary also to repeat the treatment
for several--generally four--consecutive days.
Public-domain text, read in full here on John Shaqi.
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