The Sacred Formulas of the Cherokees: Seventh Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1885-1886, Government Printing Office, Washington, 1891, pages 301-398Mooney, James
Religion
The Sacred Formulas of the Cherokees: Seventh Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1885-1886, Government Printing Office, Washington, 1891, pages 301-398
Mooney, James
Cherokee Indians -- Religion; Cherokee language -- Texts; Indians of North America -- Medicine
There is something comical in the extreme self-complacency with which
he asserts that he is very handsome and will never become blue and no
one with him is ever lonely. As before stated, white signifies peace
and happiness, while blue is the emblem of sorrow and disappointment.
Having thus rendered himself attractive to womankind, he turns his
attention to the girl whom he particularly desires to win. He begins
by filling her soul with a sense of desolation and loneliness. In the
beautiful language of the formula, her path becomes blue and she is
veiled in loneliness. He then asserts, and reiterates, that he is of
the one only clan which was allotted for her when the seven clans were
established.
He next pays his respects to his rivals and advances some very
forcible arguments to show that she could never be happy with any of
them. He says that they are all “lonesome” and utterly loathsome--the
word implies that they are mutually loathsome--and that they are
the veriest trash and refuse. He compares them to so many polecats,
opossums, and crows, and finally likens them to the rain-crow (cuckoo;
_Coccygus_), which is regarded with disfavor on account of its
disagreeable note. He grows more bitter in his denunciations as he
proceeds and finally disposes of the matter by saying that all the
seven clans alike are uhisa´‘tĭ and are covered with filth. Then
follows another glowing panegyric of himself, closing with the
beautiful expression, “your soul has come into the very center of
mine, never to turn away,” which reminds one forcibly of the sentiment
in the German love song, “Du liegst mir im Herzen.” The final
expression, “I take your soul,” implies that the formula has now
accomplished its purpose in fixing her thoughts upon himself.
When successful, a ceremony of this kind has the effect of rendering
the victim so “blue” or lovesick that her life is in danger until
another formula is repeated to make her soul “white” or happy again.
Where the name of the individual or clan is mentioned in these
formulas the blank is indicated in the manuscript by crosses + + or
ciphers 0 0 or by the word iyu´stĭ, “like.”
HǏ´Ă ĂMA´YǏ Ă´TAWASTI´YǏ KAN´HEHÛ.
Sgĕ! Ha-nâ´gwa usĭnuli´yu hatû´[n]gani´ga _Higĕ´‘yagu´ga_,
tsûwatsi´la gi´gage tsiye´la skĭna´dû‘lani´ga. 0 0
digwadâ´ita. Sa‘ka´nĭ tûgwadûne´lûhĭ. Atsanû´[n]gĭ
gi´gage skwâsû´hisa‘tani´ga. + + kûlstă´lagĭ + sa‘ka´nĭ
nu´tatanû´[n]ta. Ditu´nû[n]nâ´gĭ dagwû´laskû´[n]-gwû
deganu´y’tasi´ga. Galâ´nû[n]tse´ta-gwû
dagwadûne´lidise´stĭ. Sgĕ!
_Translation._
THIS TELLS ABOUT GOING INTO THE WATER.
Listen! O, now instantly, you have drawn near to hearken, O
Agĕ´‘yagu´ga. You have come to put your red spittle upon my body.
My name is (Gatigwanasti.) The blue had affected me. You have come and
clothed me with a red dress. She is of the (Deer) clan. She has become
blue. You have directed her paths straight to where I have my feet,
and I shall feel exultant. Listen!
_Explanation._
Public-domain text, read in full here on John Shaqi.
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