This formula, from Gatigwanasti, immediately follows the one last given, in the manuscript book, and evidently comes immediately after it also in practical use. The expressions used have been already explained. The one using the formula first bathes in the running stream, reciting at the same time the previous formula “Amâ´yĭ Ă´tawasti´yĭ.” He then repairs to some convenient spot with his paint, beads, and other paraphernalia and proceeds to adorn himself for the dance, which usually begins about an hour after dark, but is not fairly under way until nearly midnight. The refrain, yû´[n]wĕhĭ, is probably _sung_ while mixing the paint, and the other portion is recited while applying the pigment, or vice versa. Although these formula are still in use, the painting is now obsolete, beyond an occasional daubing of the face, without any plan or pattern, on the occasion of a dance or ball play. ADALANI´STA‘TI´YǏ. Ǐ. Sgĕ! Ha-nâ´gwa hatû´[n]gani´ga nihĭ´-- --Tsa´watsi´lû tsĭkĭ´ tsĭkû´ ayû´. --Hiyelû´ tsĭkĭ´ tsĭkû´ ayû´. --Tsăwiyû´ tsĭkĭ´ tsĭkû´ ayû´. --Tsûnahu´ tsĭkĭ´ tsĭkû´ ayû´. Sgĕ! Nâ´gwa hatû´[n]gani´ga, Hĭkayû´[n]lige. Hiă´ asga´ya uda´ntâ tsa‘ta´hisi´ga [Hĭkayû´[n]lige] hiye´lastû[n]. Tsaskûlâ´hĭsti-gwû´ nige´sû[n]na. Dĭkana´watû´[n]ta-gwû tsûtû´neli´ga. Hĭlû dudantĕ´‘tĭ nige´sû[n]na. Duda´ntâ dûskalû[n]´tseli´ga. Astĭ´ digû´[n]nage tagu´talû[n]tani´ga. _Translation._ TO ATTRACT AND FIX THE AFFECTIONS. Listen! O, now you have drawn near to hearken-- --Your spittle, I take it, I eat it. } --Your body, I take it, I eat it, } --Your flesh, I take it, I eat it, } Each sung four times. --Your heart, I take it, I eat it. } Listen! O, now you have drawn near to hearken, O, Ancient One. This man’s (woman’s) soul has come to rest at the edge of your body. You are never to let go your hold upon it. It is ordained that you shall do just as you are requested to do. Let her never think upon any other place. Her soul has faded within her. She is bound by the black threads. _Explanation._