The Sacred Tree; or, the tree in religion and mythPhilpot, J. H., Mrs.
Religion
The Sacred Tree; or, the tree in religion and myth
Philpot, J. H., Mrs.
Tree worship
In these days, when so much is done to equalise the seasons, when in the
flower-shops spring treads on the heels of autumn, and Christmas windows
are gay with tropical fruits, when fresh meat is always on the stalls,
and the earth is tapped of its light and warmth to make up for the
absent sun, it is difficult to realise the delight and enthusiasm with
which our forefathers welcomed the yearly miracle of the spring. It
meant so much to them,—release from the cold and the darkness that fell
hardly on all but the rich; a feast of colour to eyes weary of winter
grays; luscious, varied, and plentiful food to palates dulled by salt
meat and pease-pudding. No wonder that the first hint of the sun’s
return at Christmas, and the fulfilment of the promise of spring at
May-day, were welcomed with an abandonment of joy to which our modern
festivals offer but a pale parallel. It is doubtful, however, whether,
even in the far-off days when the ceremonies possessed the highest
religious sanction and significance, they were celebrated with a finer
exuberance than in the comparatively recent times when this country was
still “merrie England.” Fetching in the May or going a-Maying was then a
most important festival, in which people of all ranks took part. Henry
VIII. himself rode a-Maying with Queen Katharine and his Court. Every
village had its May-pole, and the first of May was everywhere “the
maddest, merriest day of all the glad New Year.” The celebration was
recognised by the Roman Church, the note for the 30th of April in an old
Calendar being, “The boys go out and seek May-trees.”[325] Chaucer
represents the whole Court as going into the fields “on May-day when the
lark begins to rise”—
To fetch the floures fresh and branch and blome.
And namely hawthorne brought both page and grome,
With freshë garlants party blew and white,
And than rejoysen in their great delight.[326]
The poet makes the whole Court pelt each other with flowers, “the
primerose, the violete and the gold,” but the general custom was to
bring home the branches and flowers as an adornment for the house. Even
the barns and the cow-byres were carefully decorated, long after the
primitive intention of the ceremony had been forgotten, and it had
degenerated into a licensed opportunity for revelry and love-making.
The two aspects of the celebration, the decorative and the amatory, are
charmingly illustrated in this lyric of Herrick’s:—
Public-domain text, read in full here on John Shaqi.
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