The Sacred Wood: Essays on Poetry and CriticismEliot, T. S. (Thomas Stearns)
General
The Sacred Wood: Essays on Poetry and Criticism
Eliot, T. S. (Thomas Stearns)
Criticism; Literature
Blake was endowed with a capacity for considerable understanding of
human nature, with a remarkable and original sense of language and the
music of language, and a gift of hallucinated vision. Had these been
controlled by a respect for impersonal reason, for common sense, for the
objectivity of science, it would have been better for him. What his
genius required, and what it sadly lacked, was a framework of accepted
and traditional ideas which would have prevented him from indulging in a
philosophy of his own, and concentrated his attention upon the problems
of the poet. Confusion of thought, emotion, and vision is what we find
in such a work as _Also Sprach Zarathustra_; it is eminently not a Latin
virtue. The concentration resulting from a framework of mythology and
theology and philosophy is one of the reasons why Dante is a classic,
and Blake only a poet of genius. The fault is perhaps not with Blake
himself, but with the environment which failed to provide what such a
poet needed; perhaps the circumstances compelled him to fabricate,
perhaps the poet required the philosopher and mythologist; although the
conscious Blake may have been quite unconscious of the motives.
Dante
M. Paul Valéry, a writer for whom I have considerable respect, has
placed in his most recent statement upon poetry a paragraph which seems
to me of very doubtful validity. I have not seen the complete essay, and
know the quotation only as it appears in a critical notice in the
_Athenæum_, July 23, 1920:
La philosophie, et même la morale tendirent à fuir les œuvres pour
se placer dans les réflexions qui les précèdent.... Parler
aujourd’hui de poésie philosophique (fût-ce en invoquant Alfred de
Vigny, Leconte de Lisle, et quelques autres), c’est naivement
confondre des conditions et des applications de l’esprit
incompatibles entre elles. N’est-ce pas oublier que le but de celui
qui spécule est de fixer ou de créer une notion—c’est-à-dire un
_pouvoir_ et un _instrument de pouvoir_, cependant que le poète
moderne essaie de produire en nous un _état_ et de porter cet état
exceptionnel au point d’une jouissance parfaite....
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