Samba-Boubou led the chorus of the rowers; his mournful, shrill voice
would pitch upon a wild, high note, then trail plaintively down to the
depths of the base, and the choir would take up the burden in slow,
solemn tones; during the long hours the same strange phrase was repeated
again and again, with the same response from the rowers. For a long time
they sang the praises of the spahis, their horses, even their dogs;
then of the warriors of the family of Soumaré, and then of Saboutané, a
legendary woman of the banks of the Gambia.
And when the regular movement of the oars flagged under the influence of
weariness or sleep, Samba-Boubou made a hissing sound between his teeth,
and this snake-like noise, repeated by all the rowers, rekindled their
ardour as if by magic.
Thus they glided at dead of night through the whole length of the sacred
wood of the Mandinga religion, and overhead the ancient trees stretched
out their massive grey branches, angular shapes like structures of
gigantic bones, rigid as stone, their outlines vaguely revealed in the
diffused starlight, until they passed out of sight.
Mingled with the singing of the negroes and the sound of the flowing
water were the weird voices of monkeys screaming in the woods, or the
shrieks of birds of the swamp; all the calls, all the mournful cries
that are heard at night in the echoing forests. There were human cries,
too, sometimes—death cries heard from afar, fusillades and the muffled
sounds of the war tom-toms. Here and there, when the canoe passed by the
outskirts of some African village, the glare of great incendiary fires
could be seen in the sky. War was already being waged through all this
region. Sarakholes against Landoumans; Nalous against Toubacayes; and
right and left villages were going up in flames.
And then, league after league, all was still again with the silence of
night and the deep forests. And ever the same monotonous singing, the
same sound of the oars cleaving the dark waters; the same fantastic
voyage as through a land of shadows; the river bearing them ever onwards
on its swift current; silhouettes of tall palm trees ever gliding past
overhead; forest ever succeeding forest.
The speed at which they travelled seemed to increase from hour to hour.
The river had dwindled surprisingly; it was now a mere stream, flowing
through the woods, and carrying them deeper into the interior. The night
was profound.
The negroes’ songs of praise continued. Samba-Boubou still uttered
his weird head note, with which mingled the shrieks of monkeys, and
the chorus still made its sombre response. They sang as if in a kind
of dream, and they rowed furiously, with superhuman strength, as if
galvanised, in a feverish anxiety to reach their goal.
* * * * *
Public-domain text, read in full here on John Shaqi.
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