Naked women, of the same reddish-brown colouring as the rocks, their
heads ornamented with amber, were everywhere washing _pagnes_, and
excitedly recounting the events and combats of the night. Warriors armed
to the teeth were fording the stream on their way to battle.
* * * * *
Jean took his first walk around the village, whither his new fate had
brought him for an indefinite period.
There was certainly trouble brewing, and the little post of Gadiangué
foresaw a time when it would be obliged to close its doors to allow the
negro communities time to settle their own affairs—as one closes one’s
windows during a passing shower.
But in all this there was movement, vitality, originality even to
excess. There were forests, verdure, flowers, mountains, running
water—awe-inspiring, natural splendour.
There was no element of gloom in it, and it was all new and strange.
From the distance comes the sound of the tom-tom, the warlike music draws
nearer, until it is close at hand and deafeningly loud. The women at
their washing by the clear stream, and Jean himself, raise their heads
and look up into the blue space framed in polished rock. An allied chief
is passing by overhead with his fighting men, scrambling with monkey-like
agility over the trunks of fallen trees. He proceeds on his way with
pomp, with music heading the procession.... The arms and amulets of the
warriors in his train glitter in the sun, as they file past with swift,
light step, in the overwhelming heat.
It is almost noon when Jean climbs back along the green paths to the
village.
The huts of Gadiangué are grouped together in the shade of great trees.
They are of a good height, and have almost a certain elegance, with
their high pitched roofs of thatch. Women are sleeping on mats on the
ground; others, seated on the verandahs, are soothing small children with
long-drawn lullabies. And warriors, armed to the teeth, recount to one
another their exploits of the previous night as they wipe their big iron
knives.
* * * * *
No. Certainly, there is no element of melancholy in all this. The
intensely hot air is terribly heavy, but it has not the overwhelmingly
depressing quality of the air on the banks of the Senegal, and the vital,
equatorial sap circulates through everything.
Jean looks around him and feels alive. He is not sorry now to have come.
He has never imagined anything to equal this.
Later, when he has returned to his home, he will be glad that he has set
foot in this distant region, and he will look back on it with pleasure.
He regards this sojourn in the Ouankarah as a spell of freedom spent in a
wonderful hunting country, clad with verdure and forests. It seems to him
a period of respite from the terribly monotonous existence, the deadly
routine of life in exile.
XXVIII
Public-domain text, read in full here on John Shaqi.
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