Nyaor, who until that moment had followed Muller and Jean with his
customary insouciance, remarked that it would be imprudent to pursue the
reconnaissance further, and that the two _toubabs_, his friends, would be
unnecessarily rash if they persisted.
Actually there was a possibility of every kind of surprise attack, and
danger might be lurking all around them. Moreover, there were everywhere
fresh spoor of lions; the horses began to stop dead and to sniff at the
five claw marks so clearly defined on the level sand, and to tremble with
terror....
After consultation, Jean and Sergeant Muller decided to turn, and soon
the three horses were racing like the wind in the direction of the
blockhouse, the white burnooses of their riders floating behind them. In
the distance, that awe-inspiring cavernous voice, which the Moors liken
to thunder, began to make itself heard: the roar of the hunting lion.
They were brave men, these three, galloping there, yet they experienced
that kind of vertigo which is produced by excessive speed; the contagion
of that dread which was spurring on their maddened beasts. The reeds
which bent under them, the branches that whipped their legs, seemed to
them troops of lions of the desert, bounding in pursuit of them....
Soon they were within sight of the stream which separated them from the
French tents, the inhabited world, and the little Arab blockhouse of the
village of Dialdé, still glowing with the last red rays of sunset.
They swam their horses across and re-entered the camp.
XIX
It was the evening hour, with its atmosphere of intense melancholy.
Sunset awakened this obscure village to a kind of animation all its own.
The black herdsmen were driving home their flocks; the warriors of the
tribe, busy with their preparations for battle, were sharpening their
fighting knives, and furbishing up their prehistoric guns. The women
were making _kouss-kouss_, to serve as provisions for the army, and were
milking their ewes and lean zebu cows. A confused murmur of negro voices
arose, mingled with the querulous bleating of goats and the plaintive
yelping of Laobé dogs....
Fatou was there, seated at the door of the blockhouse with her child,
in the humble, suppliant attitude she had continued to adopt since her
return.
And Jean, his heart oppressed with solitude, came and sat beside her, and
took the child on his knee with a feeling of tenderness towards his black
family in its happiness, and of finding at Dialdé in Galam someone who
loved him.
Near them the griots were rehearsing their warlike songs. They were
chanting softly, in mournful, falsetto voices, accompanying themselves
on small primitive guitars, consisting of two strings stretched upon
serpent skin, producing a faint sound like the stridulation of crickets.
They were singing these African airs that harmonise so well with the
desolation of their country and have a charm of their own, with their
elusive rhythm and their monotony....
Public-domain text, read in full here on John Shaqi.
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