For days afterwards, the mind of the Sailor was dominated by Mr. Thompson. He learned from the newspapers that the mate of the _Margaret Carey_ was condemned to death, and that he awaited the last office of the law in Dalston Prison. One day, an odd impulse came upon him. He bought some grapes and took them to the prison, and with a boldness far from his character at ordinary times, sought permission to see the condemned man. As Mr. Thompson had only one day more to live, and not one of his friends had visited him for the simple reason that he had not a friend in the world, the governor of the prison, a humane man, gave the Sailor permission to see the mate of the _Margaret Carey_. Behind iron bars and in the presence of a warder, Henry Harper was allowed to look upon Mr. Thompson, to speak to him, and to offer the grapes he had brought him. But a dreadful shock awaited the young man. He saw at once that there was nothing human now in the man who was ranging his cell like a caged beast. "Don't you know me, Mr. Thompson?" cried Henry Harper feebly, through the bars. The mate of the _Margaret Carey_ paid no heed to his voice, but still paced up and down. "Don't you know me, Mr. Thompson? I'm Sailor." For a fraction of time, the condemned man turned savage, unutterable eyes upon him. They were those of a wild beast at bay. "There's no God," he said. He dashed his head against the wall of his cell. XIX Henry Harper was now in a universe of infinite complexity. The genie who lived in the wonderful lamp in his brain had taught him already that he knew nothing about whole stellar spaces in this strange cosmos that he, the thing he called himself, inhabited. Moreover, it presented many problems. Of these the most instant and pressing was Cora. It was no use mincing the matter: Cora and he were not getting on. There was no bond of sympathy between them. His work and all that went with it were far more to him than the woman he had married. And when this fact came home to her, she began to resent it in a contemptuous way. It made it more difficult for both that his work only appealed to her in one aspect, and that the one which least appealed to him. The hard and continuous labor it involved meant nothing to her; the hopes and the fears of an awakening artistic sense were things beyond her power to grasp; if his work had not a definite commercial value, if it could not be rendered in pounds and shillings, it was a waste of time and worse than meaningless. Everything apart from that was a closed book as far as she was concerned. She began to despise his timidity and his ignorance, and the time soon came when she did not hesitate to sneer at him before her friends.