Man-woman relationships -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Young women -- Fiction
She had looked around and seen so many faces: Sassoon, with his mounting
mustache; Mrs. Sassoon, judging her through a lorgnette; Lindaberry, De
Joncy, Mr. Peavey, who was wiping his eyes with a handkerchief, Busby,
Stacey even.
All at once some one was standing at her side,--some one who wore patent
leathers with chamois tops,--and Josh Nebbins, in a purple shirt and
green and black check suit, derby on one side, was grinning at her,
saying:
"Hello, kid! Here I am. Made my wad. Come to get you!"
Next she was on the edge of a precipice. Some one had his arms about
her, holding her back, and some one else was trying to pull her over.
She was crying:
"Don't let him throw me over. Don't, please! I'll love you, only you,
Your Honor!"
But, to her surprise, it was not Massingale who was trying to save her;
it was Lindaberry.
And the man who had her by the arm, pulling her over, she could not see;
only she could see far down, hundreds of miles, to a little thread of a
stream. Stones were slipping under her feet; she was going over; and all
at once she looked up. A pair of patent leathers with chamois tops! It
was Josh Nebbins.
She awoke with a scream.
CHAPTER XV
The next morning she resolved to go at once to Blainey, to fling herself
heart and soul into her profession, to get an engagement in some stock
company. She hesitated, and ended by putting it off till the next day.
She said to herself that she must seek relief in flight, a new life, new
friends for a month at least, until she should be stronger. She said it
to herself each day, and each day she tarried. Perhaps she hoped for
some sign of weakness on Massingale's part, an overture that would give
her the confidence of a scornful rejection. But each day passed without
word or sign from him. This firmness, this regained control, this one
man who could steadfastly avoid her, obsessed her. She sought not to
think of him--and his image intruded itself every day, at every moment.
When the telephone rang its always mysterious call, she went to it with
a tense arrestation of her nerves expectant of his voice,
fearing--hoping. At the theater or the opera, in her first sweeping
glance over the audience, it was always his face she sought. She sought
it in the chances of the crowded streets, and with a restless glance
searched among the carriages as she passed alone, or in gay company, up
the avenue. She knew where he held court, following the calendar in the
newspaper, and often she was tempted to steal in at the back of the
dim, crowded court room, unobserved--just why, with what undefined hope,
she did not know. This impulse she resisted but never confidently
conquered. Each day she repeated that she must go; each day she tarried.
Public-domain text, read in full here on John Shaqi.
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