Man-woman relationships -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Young women -- Fiction
She had no experience of the discipline of society; she understood only
crude impulses of nature; she never believed that he would dare approach
her. He came directly to her, offered his hand with perfect courtesy,
gave a formal greeting, bowed and left her immediately. She was so taken
by surprise by the ease with which he had surmounted a difficult moment
that she suffered him to take her hand and to depart without the
slightest resistance. But immediately afterward her anger flamed up.
What! not a word of excuse, not a regret, nothing but a trivial evasion!
And forgetting all her own resolves, she flung herself recklessly into
the excitement of the evening, recklessly resolved to make herself a
thousand times more desirable, to outdo even the most daring of the
dancers, to draw on herself every regard, that he might see to what he
had driven her. He continued to watch her, transformed into a spectator,
arms folded, seeing no one else; and with a keen cutting joy she saw the
furrow of pain and doubt which gathered across his brow, as she
abandoned herself, head thrown back, laughing up at her partner, as she
had seen Georgie Gwynne once in the embrace of Lindaberry. The men,
already over-excited, crowded about her, contending for each dance.
Now she no longer avoided Massingale's troubled gaze. Each time she
passed near him, she sent him a scornful veiled glance, a smile of
derision and recklessness, which said: "There--you see! This is what you
have done to me; this is where I am going!" A fury impelled her on; she
wished to drive him, at all costs, from the room. But still he remained
rooted by the piano, never averting his eyes. She saw that he suffered,
and by every coqueting provoking glance, by every seductive movement of
her body, by the very vertigo of her languorous, half closed eyes and
parted eager lips, she sought to bury deeper the sting.
Lindaberry sought her, among others, and she danced with him once,
twice, a third time, granting him that personal distinction which would
double the pain she was inflicting. This evening Lindaberry was
different. She felt in him an agitation equal to her own. He danced
extraordinarily well, with an impulsive sense of the alternately
controlled or passionately rebellious movements of the dance. And the
impulses within him which subdued her movements to his, fiercely
checking them or suddenly enveloping her in a mad, surging, frantic rush
which left her breathless, was something not of the room, or the
mechanics of the step, but an inner fierce revolt that sought its
liberating expression in this physical madness. Even in her obsession of
resentment, she felt a curiosity to know why this was so. Other men
enlightened her, whispering caution:
"For God's sake, Miss Baxter, don't let him drink any more!"
"He's been on a spree for a week!"
"They say he lost forty thousand last night at Canfield's."
Public-domain text, read in full here on John Shaqi.
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