Man-woman relationships -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Young women -- Fiction
She consumed the night thus--fearing it, avoiding its quiet reflections,
stopping her ears to its whispers of rules learned in childhood; afraid
to face God, who, in her simple superstitious faith, was ever personal.
She felt that if she did not recall herself to Him, God, who had so much
to do, would not notice her. When she returned, she fell at once into
profound, dream-driven sleep from which she woke at noon, heavy and
incredulous, arousing herself into a febrile energy, impatient for the
whirling day to start. At the foot of the alcove she had placed an
enormous calendar; and each night, on entering, she tore off another
sheet--counting the days that yet intervened before the coming tenth of
March. In the whole room she saw nothing but these looming figures,
black against white, marking her little allotted hours. She had so
little time left to revel and dare, to skirt the edge of precipices or
tease the leaping flames ... such a little while to be just Dodo.
The pace she set began to tell on her vitality, to proclaim itself in
the hollowing of her cheeks and the strained cords of the neck. Her eyes
were never quiet, nor could her body find an instant's repose. Snyder,
who had succeeded to Winona's room, perceived the danger, as did
Massingale; but to the remonstrances of each Doré would run to the
calendar, half laughing, half serious, drumming on it with her little
fist, crying:
"Pretty soon--pretty soon. Can't stop now! Soon it'll be over!"
It was not simply three or four intrigues that she drove at once, but a
dozen, keeping the threads from tangling, adding new ones each night,
for a few days' mystification and abandonment. Yet, despite the
nerve-racking and exhaustion, never had she felt so triumphant or known
herself so desirable. The city which once had crushed her imagination in
the first despair of her arrival, the city which she felt in all its
moods, grumbling, defiant, waiting cruelly, submissive or ominous, now
rolled before her in a brilliant succession of pleasures, her world and
her destiny--theater and restaurant, opera and cabaret; and everywhere,
in the burst of lights, or languidly sunk in the seduction of music, in
the lure of shop-windows was the zest of precious temptations--dangers
that it was an ecstasy to be able to reject. Everything succeeded for
her: Massingale, Blood, Sassoon the patient, Gilday, Stacey and dozens
of others. She managed as she wished, arranged her day so that they
never crossed one another, and yet leaping from one dramatization to
another. Never had she felt so confident of the mastery of her
destinies, so avid of the delicious draft of pleasure. She felt that she
was coming to a supreme sacrifice, self-immolation, but that the setting
was superb and the climax must be magnificent!
Public-domain text, read in full here on John Shaqi.
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