Man-woman relationships -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Young women -- Fiction
At ten o'clock Snyder started from her seat. Dodo had come into the
room. She was against the door, her face tortured and white, her eyes
very big.
"His wife!" she said solemnly. She held up her hand, on which a thin
gold band was shining. "We leave to-night. He is waiting below. Tell me,
did he come?"
"Yes!"
"You told him?"
"I told him!"
She caught at her throat, and made as if to ask further questions, but
suddenly checked herself, went to the desk and drew out writing-paper.
She wrote but a few words, though once she stopped and rested her
forehead in her hands. Then she rose.
"For him--yourself!" she said with difficulty. "To-night. This too."
With a hurried movement she joined the bracelet to the letter, and
suddenly seized the woman in a straining desperate grip.
"Snyder! Snyder! If you've ever prayed for me--pray now!"
She drew her veil hurriedly over her tortured white face, and went
rapidly away into the night.
EPILOGUE
And what became of Dodo? Did she completely change--in a twinkling, and
changing by the divine dispensation of being a woman, forget that other
turbulent self? Only once again did she return into the hazardous life
of old--a last flash of the dramatic impulse--and the adventure came
close to a final tragedy. Six months after that rainy March night when
she had gone weakly into the rain on Garry's imperious arm, she set foot
in New York once more.
Perhaps it was the tragic splendor of these Towers of Babel aflame
against the night, after all the grim months of victorious struggle and
abnegation; perhaps it was something deeper within her that drove her to
slip from the sober cloak of matrimony and once again try the perilous
paths of the Salamander.
At three o'clock the next afternoon, she left her hotel, after procuring
a promise from her husband that he would not attempt to follow her.
Below Jock Lindaberry's automobile was waiting, a footman at the door.
She gave the familiar number of Miss Pim's on lower Madison and sank
against the cushioned back. A mirror caught her reflection and she gazed
with a queer tugging sensation of the incongruities of time. It was Dodo
and it was not Dodo at all. The figure was still fragile, the alert
poised eagerness was still in the glance and the arch mischief in the
smile, but that was all. The old rebellion, the recklessness, the
nervous unrest were gone. She looked incredulously upon a woman of the
world, soberly attired in blues and blacks, correctly bonneted and
veiled, a woman at peace, pensive and settled, with a note of authority.
She gazed long with memory haunted eyes, half inclined to laughter and
half verging on tears. Now that she had set recklessly out in search of
the past, she began to experience a little doubt. Familiar corners, a
glimpse of a restaurant, ways by which she had so often returned,
brought her a strange disturbance. Which was real, Dodo Baxter or the
present Mrs. Lindaberry?
Public-domain text, read in full here on John Shaqi.
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