Man-woman relationships -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Young women -- Fiction
"The warning holds until to-morrow morning," she said, her eyes
sparkling, the mood dramatized in every eager and malicious expression.
He did not answer, aroused and retreating by turns, uncomfortable,
irritated and yet resolved. Had Doré known the fires she had kindled and
the ends to which he was capable of going, perhaps she would not have
felt so audaciously triumphant.
As they swung from Broadway into the crowded, narrow side street, quite
a group was before the entrance--a knot of stage-hands loafing outside
for a smoke, Blainey himself in conversation with an actress who was
speaking to him from another automobile, and three or four of the
personnel of the theater awaiting the arrival of the manager.
She forced Sassoon to descend and hand her down--Sassoon rebelling at
being thus paraded and recognized. Then, with a fractional nod, she went
through the group. All at once some one, making way for her, lifted his
hat. She looked up and recognized the one man she did not wish to see
her thus in Sassoon's company: Judge Massingale, smiling his impersonal,
tolerantly amused smile.
CHAPTER VIII
When she had passed the familiar limping figure of the guardian of the
stage door, and had caught the sound of the helter-skelter preparations
behind the curtains--the ring of hammers, the hoarse shouts into the
rafters, the green-and-gold filmy sheen of the scenery, the groups in
costume, chattering in the wings, the busy black-hatted, coatless
stage-hands tearing about--Doré felt that tingling of the nerves that
comes to the crutched veteran when the regiment passes. She adored this
life with a keen excited zest. Its unrealities were vitally real, its
Lilliputian sultans and pashas great potentates. She adored it--but she
was not yet decided. To have been certain of succeeding would have
seemed to her the fullest of life; but she was not so blinded by the
dazzling light of success as not to perceive clearly the barrenness of
its mediocrity and the horror of its failure.
She passed into the theater, which seemed to swallow her up in its
impenetrable embrace. She stood a moment, peering into the darkness,
seeing only a great red eye above, ghostly draperies in the galleries,
and in the mysterious catacombs below a vague flitting figure stumbling
to a seat. Then, her eyes growing accustomed to the obscurity, she put
out her hand and felt her way along the empty seats, with their damp
musty shrouds.
Public-domain text, read in full here on John Shaqi.
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