Man-woman relationships -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Young women -- Fiction
Brangstar, who had given three fretful weeks to this beloved production,
musician at heart, loathing his servitude to Mammon, seeing in the
present work of art his opportunity to emerge, to do the true, the big
thing, raised his fists in horror. He had either to burst into tears or
swear. Swear he did, damning Blainey, Lipswitch, the whole gang of
Pharisees and infidels he served, calling them every name his rage flung
to his lips, vowing he never would be a party to such an atrocity.
Blainey, composed, allowed him to vent his fury, rather admiring his
manner. Brangstar was a valuable man, a blooded race-horse harnessed to
a delivery-wagon.
"You know your music, Gus; I know my public!" he said finally. "What's
going to make this opera is just one thing--what you can get under the
skin of your audience! We'll soak that waltz at 'em until every mother's
son of them goes out whistling it--till the whole town whistles it!
That's success, and I know it, and you know it! Now, get at it!"
When the overture had been repeated as he had ordered, Guntz, Borgfeldt
and Keppelman began to warm up and to slap one another with delight,
while from the recesses of the theater the shrill whistle of the ushers
was heard continuing the catchy:
"Tum-ti-tum-ti,
Tum-ti-tum-ti,
Tum-tum-tum!"
Blainey, not insensible to dramatic effects, indicated the box, where
joy now reigned, pursed his lips and nodded knowingly to Massingale.
The execution continued in the first act. The waltz appeared only in the
third. Blainey put it forward into the first, arranged for the comics to
give a light twist to it in the second, and built it up again in the
third, with all the resources of the chorus and repeated encores.
At each moment he stopped the progress of the act:
"Too pretty, pretty! Never go! Cut it!"
"Throw in some gags, there."
"Rush it--rush it!"
"Explode something, there."
"Trimble, got to get your chorus in here. Rush 'em in!"
"Oh, that's enough atmosphere!"
"The public wants dancing!"
"All right! Strike for the second act!"
The curtain rolled down and up, and the scene-shifters flung themselves
on the ravine. Brangstar went out to a saloon, strewing curses; Guntz,
Borgfeldt and Keppelman followed to celebrate; and Blainey, moving up to
Massingale, said, with a shrewd twinkle:
"Well, Judge, how do you like the first act?"
"Tim, if I had you before me I'd send you up for ten years!"
"Not if you had your money behind it, you wouldn't," said Blainey
good-humoredly. "Art be damned. I'm here to make money--yes, as every
one else is, in this town! I know what the public wants, and I soak it
to 'em. Why, this show wouldn't run six nights on a South Troy circuit!"
At this moment some one whispered to him that Sada Quichy was in
hysterics.
Public-domain text, read in full here on John Shaqi.
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