The Salem Witchcraft, the Planchette Mystery, and Modern Spiritualism: With Dr. Doddridge's DreamStowe, Harriet Beecher
History
The Salem Witchcraft, the Planchette Mystery, and Modern Spiritualism: With Dr. Doddridge's Dream
Stowe, Harriet Beecher
Spiritualism; Upham, Charles Wentworth, 1802-1875. Salem witchcraft; Witchcraft -- Massachusetts -- Salem
This little board has been welcomed as a "toy" or a "game" into
thousands of families, without suspicion of its having the remotest
connection with so-called "Spiritualism." The cry has been raised,
"Quidquid id est, timeo Danaos et dona ferentes,"
but too late! The Trojan walls are everywhere down; the wooden horse is
already dragged into the city with all the armed heroes concealed in its
bowels; the battle has commenced, and must be fought out to the bitter
end, as best it may be; and in the numerous magazine and newspaper
articles that have lately appeared on the subject, we have probably
only the beginning of a clash of arms which must terminate one way or
another.
Should our grave and learned philosophers find themselves overcome by
this little three-legged spider, it will be mortifying; but in order to
avoid that result, we fear they will have to do better than they have
done yet.
On the other hand, before the Spiritualists can be allowed to claim the
final victory in this contest, they should, it seems to me, be required
to answer the following questions in a manner satisfactory to the
highest intelligence and the better moral and religious sense of the
community:
Why is it that "spirits" communicating through your mediums, by
Planchette or otherwise, can not relate, plainly and circumstantially,
_any_ required incident of their lives, as a man would relate his
history to a friend, instead of dealing so much in vague and ambiguous
generalities, as they almost always do, and that, too, often in the bad
grammar or bad spelling of the medium? Or, as a question allied to this,
why is it that what purports to be the _same_ spirit, generally, if not
_always_, fails, when trial is made, to identify himself in the _same
manner_ through any two different mediums? Or, as another question still
allied to the above, why is it that your Websters, Clays, Calhouns, and
others, speaking through mediums, so universally give the idea that they
have deteriorated in intellect since they passed into the spirit-world?
And why is it that so little discourse or writing that possesses real
merit, and so much that is mere drivel, has come through your mediums,
if _spirits_ are the authors? And why does it so often happen that the
spirits--if they _are_ spirits--can not communicate anything except what
is already in the mind of the medium, or at least of some other person
present? It does not quite answer these questions to say that the
medium is "_undeveloped_" unless you explain to us precisely on what
principle the undevelopment affects the case. A speaking-trumpet may
be "undeveloped"--cracked or wanting in some of its parts, so as to
deteriorate the sound made through it; but we should at least expect
that a man speaking through it would speak his own thoughts, and not the
thoughts of the trumpet.
Public-domain text, read in full here on John Shaqi.
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