Russia (Federation) -- History -- Revolution, 1917-1921 -- Fiction; Siberia (Russia) -- Fiction
The place was without life. Yet it seemed to throb with life. Peter half
expected to find people inside the long galleries of the prison
buildings, though he knew that there could be no living person in such a
place of horrors.
The door opening to the inner guardroom was also down, a thing of planks
strapped together with iron bars. It lay askew across the stone
threshold, and Peter walked over its side. It gave out a dull, hollow
sound, which set the echoes going through the long inner galleries of
the cell-wings. A vile odor assailed him as he stepped inside, and he
shivered.
He knew this place well. There were broken desks here, and gun-racks on
the walls had been ripped from their supports. It was here that he had
been taken the morning after his father had been cut down by the Cossack
before the post-house. And Peter saw again in his mind’s eye the
commandant with the gold bars on his shoulders, he heard again the
careless questions snapped at him. Then he saw himself, a terrified
little boy, led down the long gallery and thrust into a dark cell.
He pushed on now into the gallery with its battered cell doors lying
half inside and half outside the cells, some swinging crazily on bent
hinges, some partly burned and lying in bits of charred wood, others
splintered and their fragments strewn along the stone-floored passage.
His feet made dull echoes. There was a sound of frightened things
scampering into dark holes before him. And to Peter it seemed that there
were thousands of men in the place—men who peered out at him derisively
and gave long hooting laughs at him.
It was colder inside the prison than outside in the clean air—a dark,
dank, penetrating cold combined with the sickly smell of an old cage in
which frozen white shoots of growing vegetation killed and preserved by
the cold glimmered uncannily in the rank air.
He found the cell that had been his—sixth on the right side. The big
door was swung inward. The stone benches inside were black and polished
with years of dirt and years of being sat upon. The stained log walls
were covered with thousands of marks which recorded days and years spent
in the cell by exiles. Among these rows of time-keeping scratches were
also etched words of hate and messages of comfort and the scribbled
jeers of men who had made a jest of going from such a place to the
execution yard.
One line on the wall caught Peter’s eye under the searching beam of his
pocket flash light. “God curse Kirsakoff,” Peter read. The letter had
been formed by his own boyish fingers with a nail—fingers stiff with
cold. He laughed at the sight of it now, and slapped the pistol on his
hip under his greatcoat. His laugh came back to him multiplied a hundred
times from the cells of the long galleries stretching away in the
darkness. The echoes sounded like a scornful chorus from ghosts.
Public-domain text, read in full here on John Shaqi.
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