It was early in the morning for Millicent, usually a late sleeper, to be in the garden among the flowers. There Graham found her, white as the gown she wore, standing with her arms filled with dark-red roses,--standing with the sunlight touching her pretty hair, and shining in her cool gray eyes. He stared at her, as at one risen from the dead; he touched her hand before he spoke to her, to make sure that it was really she, alive, with softly heaving breast and warm, clinging fingers. Alive, and not as he had pictured her a thousand times during that terrible ride,--cold and dead, with the stain which had dyed her kerchief, on brow and bosom. For a long time they stood silently looking into each other’s faces; and then the man laid her hand gently on his arm, and together they passed down the orchard road, across a space of sunburnt meadow, to a spot they both knew,--Millicent’s boudoir, hanging over the narrow stream, walled by six tall redwoods grown from the seeds of some giant predecessor, carpeted with thick green moss, furnished with two rough seats. Here they rested silently for a time,--Graham drawing long breaths of the morning air to relax his tired lungs; Millicent resting her wearied heart with looking at him, all her soul shining through her eyes. Graham first broke the silence with questions of all that had happened since they had parted. She told him of her danger, and of the murder of the Chinaman, in a low voice, full of awe. It had been her first knowledge of death; and the chill reality, the only certain thing which men look forward to, had first been known by her now that she was a woman grown, and could fully understand its dreadful significance. Hitherto, death had been a phrase only; a thing which must come to all creatures, as a matter of course. That she should sometime die she knew, but only by tradition; it had meant nothing to her. Now she understood it all, and the terrible knowledge had chilled her life-blood. Could she ever again think of anything but that dead face? One stronger than the King of Terrors was driving it from her thoughts: love was swiftly painting out the grim picture from her memory.