On the narrow stairway Graham paused, near the top. Something shining
lay on the step before him. The object proved to be a small silver
arrow, tipped with a feather of brilliants. He picked up the jewelled
toy, which he had once before held in his hand,--one evening when he had
withdrawn it from the soft tresses which it caught together behind a
small white ear. His hand trembled as he remembered the soft rushing of
silken curls over his arm, the fragrance which had floated about him,
the look of loving reproach which had punished his audacity. Wondering
how the arrow had found its way to the threshold of his tower, Graham
tried to open the heavy door with his key. To his surprise it refused
to yield; the bolt was drawn on the inside. Some one was in his tower.
Thinking that the Frenchman, in whose care his room had been left, might
be at work, he lifted the heavy brass dolphin which served for a
knocker, and rapped loudly. There was no answer. The rain by this time
was falling in torrents. He was entirely without shelter; and he
knocked a second time, calling out to know who was inside the room. He
heard a light step approach the door, and a hand was laid upon the lock.
The old wood-cutter could never have walked with that musical footstep;
the soft rustle of garments could not have been made by him. Graham’s
heart leaped from its quiet beating into a very tumult of pulsations, as
the bolt was gradually drawn and the heavy door swung slowly open. On
the threshold of his lonely tower stood Millicent, with downcast eyes
and pale face. For a moment he was silent, looking at her, doubting his
own vision; fearing to move lest she should vanish from before his eager
eyes as she did in his dreams. Could this beautiful, colorless
creature, with marble cheeks and fallen lids, with sombre garments and
nerveless, pallid hands crossed upon the breast, be Millicent Almsford?
He stepped nearer with outstretched hands to touch her, to feel that it
was in verity the woman who had lain weeping at his feet that night
among the roses. He would have folded her to his breast, but the white
lids flashed open, the sad, tear-worn eyes looked into his own with an
expression which made him draw back; and the girl, without a word,
passed out of the doorway and stood unprotected in the driving storm.
Before her mute grief, his passionate longing was turned to a great and
holy pity. He stood beside her and said gently,--
"Millicent, you will not leave me without a word? You must not go out
into the storm; I will leave you here alone, if you wish, until the rain
is over. Do not be so cruel as to doubt me, dear one."
He stopped, for his words had made her tremble. She feared him no
longer, and with a little sigh laid her hand in his and suffered him to
lead her into the room. The artist placed his visitor in a great chair,
and busied himself in making a fire on his cold hearth.
Public-domain text, read in full here on John Shaqi.
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