Graham was greatly admired by the knot of artists who lived, or starved,
in San Francisco. They were the pioneers of art in the new Western land;
and their work, if crude and untutored, was not wanting in certain
strong qualities. Several of them were men of promise; and they were
all wise enough to feel that in Graham’s genius lay the brightest hope
for a new school of art which should combine the knowledge of the Old
World with the fresh vigor and hope of the New. They looked up to him
as a leader, and he earnestly wrought and thought for their advancement.
It was for this that he had left Europe and his many agreeable
associates there, and returned to his own country, that whatever power
for good there in him lay should redound to her glory. His fellow
artists all revered him, and they would gladly have loved him; but the
sensitive man shrank from that familiarity which popularity entails. In
their work he was always interested; and in whatever touched the art
they all served, he was active and ready to labor endlessly without
recompense or recognition. But in their lives and personalities he felt
no wish to mix; and so it was that he who labored most for them as an
artist was farthest removed from them as a man.
There was but one verdict rendered by the men who stood grouped about
the easel. It was a masterly picture, they all said. For an hour or
more, one or another of them discussed certain technical points with
Graham, who with kindled face listened and talked with his associates,
more himself than he had been since the night when he had first dreamed
of the picture. The young sculptor was less loud in his praise than
were the others; in his eyes the classic subject was a trifle labored
and cold. After having praised, the men felt at liberty to criticise;
and if Graham had followed one half the advice offered to him, there
would have been little suggestion of the original picture left.
Standing in a corner, with its face to the wall, was a panel which, as
the little circle was about to break up, Northcote asked Graham’s
permission to show. The new picture was taken from the easel, and the
neglected canvas put in its place. Its surface was dusty, and the young
man wiped it with his silk handkerchief. There was a minute’s silence,
broken by the oldest of the party, a disappointed painter whose life had
been one long series of calamities.
"My boy, this is worth a dozen of the other. It is the biggest thing you
have done yet."
Public-domain text, read in full here on John Shaqi.
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