He spent an hour in ransacking his tower to find the most beautiful thing he possessed to carry to Millicent. He wanted to go to her with something in his hand that might in some measure express the tide of generous feeling that flooded his whole nature. He still had a score of those treasures, souvenirs of his European residence, of which the greater part had found their way to the shelves and cabinets of his friends’ houses. He spread them out before him on his one table, ruthlessly pushing aside paints, brushes, books, and drawing chalks, in a hubbub of disorder. With an intense interest he looked them all through. He had almost decided upon a rare Etruscan coin which he had seen roll from the palm of an exhumed skeleton, when his eye was caught by a tiny Tanagrine figure. The exquisite modelling of this clay toy, instinct with the beauty which pervaded every detail of Greek life, made it a more appropriate gift. The miniature woman was as truly proportioned as the Milo herself, and as surely constructed according to that greatest law of art that the world has yet seen evolved, the Greek, wherein are welded together the real and the ideal. A third article now struck his fancy as more appropriate than either of these for his first gift to Millicent. It was a crown of olive leaves of the purest gold, which might have bound Helen’s brow. It had lain amidst the dust of eons which covers Troy with its pall; and now, in the nineteenth century, it was to serve as the gift of a Californian lover to his mistress. Surely, never before had the precious leaves encircled so fair a head as that which they were now destined to adorn.