The life of John Graham had been one wherein the sorrowful days far
outnumbered the joyous ones. His youth had been saddened by the
reverses and griefs which had pursued his parents with a relentless
persistence. His home life had not been a happy one. In the large
family of brothers and sisters there had been a meeting and clashing of
strong, positive characters and opposing wills. An intense family pride
was the one bond which united them. This sentiment, almost amounting to
a passion, made the members cling closely to one another when there was
little of sympathy to make a sweeter bond. Graham’s parents had moved to
California, from the Eastern town where they were both born, while he
was still an infant. The first sixteen years of his life had been spent
on the Pacific coast. At this age he was sent eastward to pursue his
studies. The youth had already determined on devoting himself to art.
The years passed at the famous New England college were very busy ones.
The painful economies by which his beloved mother defrayed his college
expenses were well known to the young man, and he held himself
responsible to that dear and honored parent for every hour of his time.
His active mind eagerly grasped such fruits of knowledge as were offered
by that garden of learning, and his career in the university fully
repaid the sacrifices which it had entailed. During all this time he
never for an instant relinquished his fixed determination to become a
painter. In the leisure hours when his companions were amusing
themselves according to their several tastes, Graham was always found at
his easel. Some wiseacre once suggested to the young man that Greek and
Latin were expensive acquirements, likely to prove useless to a painter.
"And if I were to be a shoemaker, I should make better shoes for having
studied the classics," was his reply to this admonition.
Public-domain text, read in full here on John Shaqi.
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