Millicent’s face fell; and Galbraith hastened to explain to her that the
quantity of cream handled at one churning made it necessary, in a place
where human labor is so dear, to employ horsepower. Nobody likes to be
laughed at, though Millicent tried hard to smile at her own blunder;
when Hal, suddenly calling out; "By your leave, Princess," without a
word of warning caught up the young lady in his arms, and placed her on
the back of the patient mule, remarking, as he accomplished the feat,
"No one can say now that you have not helped with the churning."
It would be difficult to say whether Millicent or the mule felt the
greater surprise; they were both taken unawares; but the quadruped was
the first to recover himself, and resumed his weary task of plodding
round in the monotonous circle. Millicent, clinging closely to the
creature, cried loudly to be relieved from her uncomfortable position;
but Hal, fearing her wrath, had disappeared into the interior of the
dairy, leaving to Galbraith the pleasure of assisting the young woman in
dismounting. Pedro, who had been an amused spectator of the scene, now
announced that the churning was completed, and that they should soon see
the washing of the butter, if it pleased them to wait. The big golden
fragments were collected from the sea of buttermilk, and finally massed
together on a wide table. There it was worked by Pedro, who tossed the
fragrant mass from side to side, pressing out the remaining deposits of
the milk with a heavy wooden wand. He moulded the butter into fantastic
forms, prettiest of which was a huge bell-shaped flower like a giant
trumpet blossom. It struck Millicent that here was a delightful
material for modelling; and taking up a piece of butter and one of the
dairy tools, she forthwith produced a bas-relief portrait of Galbraith,
which would have done credit to the sculptress of the sleeping Iolanthe.
"There are two classes of hands, those which are skilful and those which
are clumsy; of all other divisions of humanity this is the most
important. You, Miss Almsford, are so happy as to belong to the skilful
half, or rather quarter, of humanity,--for men are all clumsy. I see
that you can do all things artistic as well as useful with your
fingers."
"I am afraid I have never tried to do much that was useful," said the
girl half ruefully. "Barbara, now, can do all sorts of things. But I am
tired of comparing myself with her; I always suffer by the process;"
this with a rather vicious little stroke at the butter-model, which she
was now finishing into a medallion, with a pattern of scroll-work for a
border.
"Let me judge between yourself and Miss Barbara. I know that she can
touch the ivory keys with grace, and can also make wonderful peach
preserves. On the other hand, you model in butter and--and--well, what
else can those small hands accomplish of art or industry?"
Public-domain text, read in full here on John Shaqi.
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