The Sanskrit drama : $b in its origin, development, theory and practiceKeith, Arthur Berriedale
History
The Sanskrit drama : $b in its origin, development, theory and practice
Keith, Arthur Berriedale
Sanskrit drama -- History and criticism
The date of Vātsyāyana thus becomes of interest, but unluckily it is
still undefined with any precision. [710] It certainly seems, however,
that Kālidāsa was familiar with a text very similar to and perhaps
identical with the Kāmaçāstra, and this reasonably may be regarded as
giving A.D. 400 as the lower limit of date. That the Kauṭilīya
Arthaçāstra has been used by Vātsyāyana gives no precise result, in
view of the difficulty of dating exactly that text. But the mention by
Vātsyāyana of the Ābhīras [711] and Andhras certainly suggests, taken
into conjunction with his silence as to the Guptas, that he wrote
before the power of the latter had established itself in western India,
and we may assign his work to approximately A.D. 300. If so we must
believe that already in Kālidāsa’s age the Prākrits of his characters
were more or less artificial, and with this well accords his
introduction of Māhārāṣṭrī for the verses of those to whom Çaurasenī is
assigned in prose, an obviously literary device.
Elaborate rules for the use of language [712] by the characters are
given in the Nāṭyaçāstra and, in much less detail, by the Daçarūpa. The
use of Sanskrit is proper in the case of kings, Brahmins, generals,
ministers, and learned persons generally; the chief queen is assigned
it, and so also ministers’ daughters, but this rule is not in practice
observed. On the other hand, it is used by Buddhist nuns, hetaerae,
artistes, and others on occasion. It is a rule that in the description
of battles, peace negotiations, and omens Sanskrit shall be resorted
to, and this is done by Bṛhannalā in Bhāsa’s Pañcarātra. The use of
Sanskrit by allegorical female types is also found both early and late.
Public-domain text, read in full here on John Shaqi.
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