The Satires of Juvenal, Persius, Sulpicia, and Lucilius: Literally translated into English prose, with notes, chronological tables, arguments, &c.Persius
General
The Satires of Juvenal, Persius, Sulpicia, and Lucilius: Literally translated into English prose, with notes, chronological tables, arguments, &c.
Persius
Juvenal -- Translations into English; Verse satire, Latin -- Translations into English
[462] _Mitte Ostia._ So most of the commentators interpret it. "Send
your Legatus to take the command of the troops for foreign service,
waiting for embarkation at Ostia." But if so, "ad" should be expressed,
and either Tiberina added, or Ostia made of the 1st declension.
Britann., therefore, and Heinrich explain it, "Pass by his own doors;"
omitte quærere illic, "he is far away."
[463] _Sandapila._ The bier or open coffin, on which the poor, or those
killed in the amphitheatre, were carried to burial; hence "sandapila
popularis." Suet., Domit., 17. Stepney (in Dryden's version) thus
enumerates these worthies:
"Quacks, coffin-makers, fugitives, and sailors,
Rooks, common soldiers, hangmen, thieves, and tailors."
[464] _Resupinantis._ In Holyday's quaint version,
"Among great Cybel's silent drums, which lack
Their Phrygian priest, who lies drunk on his back."
[465] _Ergastula._ Private prisons attached to Roman farms, in which
the slaves worked in chains. The Tuscan were peculiarly severe. Vid.
Dennis's Etruria, vol. i., p. xlviii.
[466] _Turpia cerdoni._ Cf. iv., 13," Nam quod turpe bonis Titio
Seioque decebat Crispinum." Pers., iv., 51, "Tollat sua munera cerdo."
"And crimes that tinge with shame the cobbler's face,
Become the lords of Brutus' honor'd race." Hodgson.
[467] _Locasti._
"Lets out his voice (his sole remaining boast),
And rants the nonsense of a clam'rous ghost." Hodgson.
[468] _Sipario._ The curtain or drop-scene in _comedy_, as _Aulæum_ was
in _tragedy_. Donat.
[469] _Phasma._ Probably a translation from the Greek. Ter., Eun.,
pr. 9, "Idem Menandri phasma nunc nuper dedit." Catullus is not to
be confounded with C. Valerius Catullus of Verona (the old Schol.
says Q. Lutatius Catullus is meant, and quotes xiii., 11, whom
Lubinus, ad loc., calls "Urbanus Catullus") as far as the Phasma is
concerned.--_Laureolus_ was the chief character in a play or ballet by
Val. Catullus, or Laberius, or Nævius: and was crucified on the stage,
and then torn to pieces by wild beasts. Martial (de Spect., Ep. vii.)
says this was acted _to the life_ in the Roman amphitheatre, the part
of the bandit being performed by a real malefactor, who was crucified
and torn to pieces in the arena, "Non falsâ pendens in cruce Laureolus."
"And Lentulus _acts_ hanging with such art,
Were I a judge, he should not _feign_ the part." Dryden.
[470] _Sedet._
"Sit with unblushing front, and calmly see
The hired patrician's low buffoonery;
Smile at the Fabii's tricks, and grin to hear
The cuffs resound from the Mamerci's ear." Gifford.
[471] _Cogente Nerone._ Cf. Tac., Ann., xiv., 14, who abstains from
mentioning the _names_ of the nobles thus disgraced, out of respect for
their ancestors. Cf. Dio., lxi. Suetonius says (Nero, cap. xii.) that
400 senators and 600 knights were thus dishonored (but Lipsius says 40
and 60 are the true numbers).
[472] _Nec dubitant._ No doubt a spurious line.
Public-domain text, read in full here on John Shaqi.
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