Frontier and pioneer life -- New Mexico -- Juvenile fiction; New Mexico -- Social life and customs -- 19th century -- Juvenile fiction
The light grows stronger. Forms appear upon the roofs and move along
the terraces. They are human forms enveloped in hanging garments,
robe-like and striped. We recognise the Navajo blanket, with its
alternate bands of black and white.
With the glass we can see these forms more distinctly; we can tell their
sex.
Their hair hangs loosely upon their shoulders, and far down their backs.
Most of them are females, girls and women. There are many children,
too. There are men, white-haired and old. A few other men appear, but
they are not warriors. The warriors are absent.
They come down the ladders, descending from terrace to terrace. They go
out upon the plain, and rekindle the fires. Some carry earthen vessels,
ollas, upon their heads, and pass down to the river. They go in for
water. These are nearly naked. We can see their brown bodies and
uncovered breasts. They are slaves.
See! the old men are climbing to the top of the temple. They are
followed by women and children, some in white, others in bright-coloured
costumes. These are girls and young lads, the children of the chiefs.
Over a hundred have climbed up. They have reached the highest root.
There is an altar near the staff. A smoke rolls up--a blaze: they have
kindled a fire upon the altar.
Listen! the chant of voices, and the beat of an Indian drum!
The sounds cease, and they all stand motionless and apparently silent,
facing to the east.
"What does it mean?"
"They are waiting for the sun to appear. These people worship him."
The hunters, interested and curious, strain their eyes, watching the
ceremony.
The topmost pinnacle of the quartz mountain is on fire. It is the first
flash of the sun!
The peak is yellowing downward. Other points catch the brilliant beams.
They have struck the faces of the devotees. See! there are white
faces! One--two--many white faces, both of women and girls.
"Oh, God! grant that it may be!" cries Seguin, hurriedly putting up the
glass, and raising the bugle to his lips.
A few wild notes peal over the valley. The horsemen hear the signal.
They debouche from the woods and the defiles of the mountains. They
gallop over the plain, deploying as they go.
In a few minutes we have formed the arc of a circle, concave to the
town. Our horses' heads are turned inwards, and we ride forward,
closing upon the walls.
We have left the atajo in the defile; the captive chief, too, guarded by
a few of the men. The notes of the bugle have summoned the attention of
the inhabitants. They stand for a while in amazement, and without
motion. They behold the deploying of the line. They see the horsemen
ride inward.
Could it be a mock surprise of some friendly tribe? No. That strange
voice, the bugle, is new to Indian ears; yet some of them have heard it
before. They know it to be the war-trumpet of the pale-faces!
Public-domain text, read in full here on John Shaqi.
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