Maggie flew and opened the door. "I am sorry," she said. "I was a good
deal upset about those detestable clothes. I am writing to my mother.
Please, Lucy, let me finish the letter. When it's done--and I won't be
a minute longer--I'll put it in the post-box myself, so that it can go
by the first post in the morning."
"Very well, dear," said Lucy, who was too kind not to be good to any
girl in the school; "only be quick, Maggie," she said, "for you know
you are breaking the rules."
"Yes! oh yes!" said Maggie; "and I will never do it again."
Miss Johnson left her, and Maggie flew back to bend over her paper and
continue her writing:
"Darling, you must not let him come here. He threatens to come,
but you must keep him away. All will be up with me if he is seen
at the school. I beseech of you have a little mercy on me. For
the sake of my own father, keep him--do keep him--from Aylmer
House.--Your distracted daughter,
"MAGGIE HOWLAND."
This letter was addressed to Mrs. Martin (spelt this time with an
"i"), Laburnum Villa, Clapham. Maggie stamped it, and, flying
downstairs, popped it into the box which held the letters.
CHAPTER XX.
THE VILLA.
Laburnum Villa, in the suburb of Clapham, was, in the new Mrs.
Martin's eyes, quite a delightful place. She had never appreciated her
first husband, Professor Howland, but she thoroughly appreciated
Bo-peep, and after her own fashion was fond of him. He gave her
comforts. She had lived so long without comforts that she appreciated
these good things of life to the full. She had never really been much
attached to Maggie, who was too like her own father and too unlike
herself to allow of the existence of any sympathy between them.
Maggie, even before Mrs. Howland met Martin the Shepherd's Bush
grocer, had been more or less a thorn in the flesh to her mother.
Laburnum Villa was furnished, as James Martin expressed it, with an
eye to comfort. There were solid arm-chairs with deep seats and good
springs, and these were covered with maroon-colored leather. There
were thick, maroon-colored curtains to the dining-room windows, and
all the furniture of the room was of solid oak. There was a rich
Turkey carpet on the floor, and prints of different hunting scenes--by
no means bad in their way--hanging on the walls. The paint-work of the
room was of dull red, and the paper was of the same tone. It was a
small room, and the furniture was large and heavy, but it represented
in Martin's eyes the very essence of comfort. The fireplace was
modern, and when it was piled up with goodly lumps of coal it caused a
warmth to pervade the whole room which, as Mrs. Martin expressed it,
was very stimulating. The house had electric light, which both Mr. and
Mrs. Martin considered distinguished.
Public-domain text, read in full here on John Shaqi.
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