The teacher presenting this course must be capable for he is the authority and guide back of all work done. Text books (good ones though condensed) play a part, but a much smaller part than would be the case in our American schools were similar instruction approached in a formal way. In other words, their teachers furnish the course and _teach_ the subject, while too many of ours merely present the course provided in the adopted text book. Writing, drawing, vocal music, manual training, and gymnastics are also in the curriculum and each receives careful attention. Perhaps extended outlining of these courses and long discussions concerning them are unnecessary. Their importance and value are recognized. Their presentation in the schools of Norway is commendable, but some things must be passed without exhaustive treatment. Only general statements will be given. The results in some lines--writing and drawing in particular--do not justify the amount of time devoted to them. The writing is mechanical throughout, and in the lower grade the requirements are altogether too exacting. Drawing is required of all alike. Those who have ability in this line of work perhaps receive too little instruction; others, without talent or liking for it, regard it as a drudgery and, in the minds of some of their teachers, hinder the progress of the gifted. The finer coordinations required in both writing and drawing are frequently in advance of the development of the pupils and work injury rather than benefit. Vocal music is required of all and injures none. Probably each one reaps considerable benefit from the instruction. The class of music used in their teaching is very different from what is in vogue in our American schools. The church has exercised a great deal of influence in this respect. Since church and state are united the music of the church forms a predominating portion of the music of the state schools. Psalms, chants, and songs of stately dignity constitute the bulk of their selections, while those of lighter strain are interspersed at intervals not too close together. In America our children's songs are more attractive from the "jingle" point of view. Our children like them better and are more anxious to sing them. The little Norwegians, too, are delighted when permitted to swing into the lighter strains of music. They love to sing. Their faces fairly glow as their mellow voices swell out whether they sing in a jingle or in the rich harmonies of their psalms. Common use of the better quality of music cultivates their ability to appreciate and to render works of higher order than one usually finds in the schools of our own country.