The Schoolmaster and Other StoriesChekhov, Anton Pavlovich
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The Schoolmaster and Other Stories
Chekhov, Anton Pavlovich
Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russia -- Social life and customs -- Fiction
Ivan Yegoritch throws himself back in his chair, and closing his
eyes concentrates himself on his subject. He hears his wife shuffling
about in her slippers and splitting shavings to heat the samovar.
She is hardly awake, that is apparent from the way the knife and
the lid of the samovar keep dropping from her hands. Soon the hissing
of the samovar and the spluttering of the frying meat reaches him.
His wife is still splitting shavings and rattling with the doors
and blowers of the stove.
All at once Ivan Yegoritch starts, opens frightened eyes, and begins
to sniff the air.
"Heavens! the stove is smoking!" he groans, grimacing with a face
of agony. "Smoking! That insufferable woman makes a point of trying
to poison me! How, in God's Name, am I to write in such surroundings,
kindly tell me that?"
He rushes into the kitchen and breaks into a theatrical wail. When
a little later, his wife, stepping cautiously on tiptoe, brings him
in a glass of tea, he is sitting in an easy chair as before with
his eyes closed, absorbed in his article. He does not stir, drums
lightly on his forehead with two fingers, and pretends he is not
aware of his wife's presence. . . . His face wears an expression
of injured innocence.
Like a girl who has been presented with a costly fan, he spends a
long time coquetting, grimacing, and posing to himself before he
writes the title. . . . He presses his temples, he wriggles, and
draws his legs up under his chair as though he were in pain, or
half closes his eyes languidly like a cat on the sofa. At last, not
without hesitation, he stretches out his hand towards the inkstand,
and with an expression as though he were signing a death-warrant,
writes the title. . . .
"Mammy, give me some water!" he hears his son's voice.
"Hush!" says his mother. "Daddy's writing! Hush!"
Daddy writes very, very quickly, without corrections or pauses, he
has scarcely time to turn over the pages. The busts and portraits
of celebrated authors look at his swiftly racing pen and, keeping
stock still, seem to be thinking: "Oh my, how you are going it!"
"Sh!" squeaks the pen.
"Sh!" whisper the authors, when his knee jolts the table and they
are set trembling.
All at once Krasnyhin draws himself up, lays down his pen and
listens. . . . He hears an even monotonous whispering. . . . It is
Foma Nikolaevitch, the lodger in the next room, saying his prayers.
"I say!" cries Krasnyhin. "Couldn't you, please, say your prayers
more quietly? You prevent me from writing!"
"Very sorry. . . ." Foma Nikolaevitch answers timidly.
After covering five pages, Krasnyhin stretches and looks at his
watch.
"Goodness, three o'clock already," he moans. "Other people are
asleep while I . . . I alone must work!"
Shattered and exhausted he goes, with his head on one side, to the
bedroom to wake his wife, and says in a languid voice:
"Nadya, get me some more tea! I . . . feel weak."
Public-domain text, read in full here on John Shaqi.
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