The Schoolmaster and Other StoriesChekhov, Anton Pavlovich
General
The Schoolmaster and Other Stories
Chekhov, Anton Pavlovich
Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russia -- Social life and customs -- Fiction
"There, do you see, you brute, what you have done? Why, what am I
to do now? It is time I was at Madame la Générale Shevelitsyn's,
you anathema! My feet are frozen!"
"You can change the boots before long. Put on these boots, go about
in them till the evening, and in the evening go to the theatre. . . .
Ask there for Blistanov, the actor. . . . If you don't care to
go to the theatre, you will have to wait till next Tuesday; he only
comes here on Tuesdays. . . ."
"But why are there two boots for the left foot?" asked the piano-tuner,
picking up the boots with an air of disgust.
"What God has sent him, that he wears. Through poverty . . . where
is an actor to get boots? I said to him 'What boots, Pavel Alexandritch!
They are a positive disgrace!' and he said: 'Hold your peace,' says
he, 'and turn pale! In those very boots,' says he, 'I have played
counts and princes.' A queer lot! Artists, that's the only word for
them! If I were the governor or anyone in command, I would get all
these actors together and clap them all in prison."
Continually sighing and groaning and knitting his brows, Murkin
drew the two left boots on to his feet, and set off, limping, to
Madame la Générale Shevelitsyn's. He went about the town all day
long tuning pianos, and all day long it seemed to him that everyone
was looking at his feet and seeing his patched boots with heels
worn down at the sides! Apart from his moral agonies he had to
suffer physically also; the boots gave him a corn.
In the evening he was at the theatre. There was a performance of
_Bluebeard_. It was only just before the last act, and then only
thanks to the good offices of a man he knew who played a flute in
the orchestra, that he gained admittance behind the scenes. Going
to the men's dressing-room, he found there all the male performers.
Some were changing their clothes, others were painting their faces,
others were smoking. Bluebeard was standing with King Bobesh, showing
him a revolver.
"You had better buy it," said Bluebeard. "I bought it at Kursk, a
bargain, for eight roubles, but, there! I will let you have it for
six. . . . A wonderfully good one!"
"Steady. . . . It's loaded, you know!"
"Can I see Mr. Blistanov?" the piano-tuner asked as he went in.
"I am he!" said Bluebeard, turning to him. "What do you want?"
"Excuse my troubling you, sir," began the piano-tuner in an imploring
voice, "but, believe me, I am a man in delicate health, rheumatic.
The doctors have ordered me to keep my feet warm . . ."
"But, speaking plainly, what do you want?"
"You see," said the piano-tuner, addressing Bluebeard. "Er . . .
you stayed last night at Buhteyev's furnished apartments . . . No.
64 . . ."
"What's this nonsense?" said King Bobesh with a grin. "My wife is
at No. 64."
Public-domain text, read in full here on John Shaqi.
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