The Schoolmaster and Other StoriesChekhov, Anton Pavlovich
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The Schoolmaster and Other Stories
Chekhov, Anton Pavlovich
Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russia -- Social life and customs -- Fiction
The scissors cease snipping. Makar Kuzmitch drops his hands and
asks in a fright:
"Who is betrothed?"
"Anna."
"How's that? To whom?"
"To Sheikin. Prokofy Petrovitch. His aunt's a housekeeper in
Zlatoustensky Lane. She is a nice woman. Naturally we are all
delighted, thank God. The wedding will be in a week. Mind you come;
we will have a good time."
"But how's this, Erast Ivanitch?" says Makar Kuzmitch, pale,
astonished, and shrugging his shoulders. "It's . . . it's utterly
impossible. Why, Anna Erastovna . . . why I . . . why, I cherished
sentiments for her, I had intentions. How could it happen?"
"Why, we just went and betrothed her. He's a good fellow."
Cold drops of perspiration come on the face of Makar Kuzmitch. He
puts the scissors down on the table and begins rubbing his nose
with his fist.
"I had intentions," he says. "It's impossible, Erast Ivanitch. I
. . . I am in love with her and have made her the offer of my heart
. . . . And auntie promised. I have always respected you as though
you were my father. . . . I always cut your hair for nothing. . . .
I have always obliged you, and when my papa died you took the
sofa and ten roubles in cash and have never given them back. Do you
remember?"
"Remember! of course I do. Only, what sort of a match would you be,
Makar? You are nothing of a match. You've neither money nor position,
your trade's a paltry one."
"And is Sheikin rich?"
"Sheikin is a member of a union. He has a thousand and a half lent
on mortgage. So my boy . . . . It's no good talking about it, the
thing's done. There is no altering it, Makarushka. You must look
out for another bride. . . . The world is not so small. Come, cut
away. Why are you stopping?"
Makar Kuzmitch is silent and remains motionless, then he takes a
handkerchief out of his pocket and begins to cry.
"Come, what is it?" Erast Ivanitch comforts him. "Give over. Fie,
he is blubbering like a woman! You finish my head and then cry.
Take up the scissors!"
Makar Kuzmitch takes up the scissors, stares vacantly at them for
a minute, then drops them again on the table. His hands are shaking.
"I can't," he says. "I can't do it just now. I haven't the strength!
I am a miserable man! And she is miserable! We loved each other,
we had given each other our promise and we have been separated by
unkind people without any pity. Go away, Erast Ivanitch! I can't
bear the sight of you."
"So I'll come to-morrow, Makarushka. You will finish me to-morrow."
"Right."
"You calm yourself and I will come to you early in the morning."
Erast Ivanitch has half his head shaven to the skin and looks like
a convict. It is awkward to be left with a head like that, but there
is no help for it. He wraps his head in the shawl and walks out of
the barber's shop. Left alone, Makar Kuzmitch sits down and goes
on quietly weeping.
Early next morning Erast Ivanitch comes again.
"What do you want?" Makar Kuzmitch asks him coldly.
Public-domain text, read in full here on John Shaqi.
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