The schoolmistress, and other storiesChekhov, Anton Pavlovich
General
The schoolmistress, and other stories
Chekhov, Anton Pavlovich
Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russia -- Social life and customs -- Fiction; Short stories
“Well, the devil only knows! Talent, you say? Genius? Originality? Not
a bit of it, sir!... People have lived and made a career side by side
with me who were worthless, trivial, and even contemptible compared with
me. They did not do one-tenth of the work I did, did not put themselves
out, were not distinguished for their talents, and did not make
an effort to be celebrated, but just look at them! Their names are
continually in the newspapers and on men’s lips! If you are not tired of
listening I will illustrate it by an example. Some years ago I built
a bridge in the town of K. I must tell you that the dullness of that
scurvy little town was terrible. If it had not been for women and cards
I believe I should have gone out of my mind. Well, it’s an old story:
I was so bored that I got into an affair with a singer. Everyone was
enthusiastic about her, the devil only knows why; to my thinking she
was--what shall I say?--an ordinary, commonplace creature, like lots
of others. The hussy was empty-headed, ill-tempered, greedy, and what’s
more, she was a fool.
“She ate and drank a vast amount, slept till five o clock in the
afternoon--and I fancy did nothing else. She was looked upon as a
cocotte, and that was indeed her profession; but when people wanted to
refer to her in a literary fashion, they called her an actress and
a singer. I used to be devoted to the theatre, and therefore this
fraudulent pretense of being an actress made me furiously indignant. My
young lady had not the slightest right to call herself an actress or
a singer. She was a creature entirely devoid of talent, devoid of
feeling--a pitiful creature one may say. As far as I can judge she sang
disgustingly. The whole charm of her ‘art’ lay in her kicking up her
legs on every suitable occasion, and not being embarrassed when
people walked into her dressing-room. She usually selected translated
vaudevilles, with singing in them, and opportunities for disporting
herself in male attire, in tights. In fact it was--ough! Well, I ask
your attention. As I remember now, a public ceremony took place to
celebrate the opening of the newly constructed bridge. There was a
religious service, there were speeches, telegrams, and so on. I hung
about my cherished creation, you know, all the while afraid that my
heart would burst with the excitement of an author. It’s an old story and
there’s no need for false modesty, and so I will tell you that my bridge
was a magnificent work! It was not a bridge but a picture, a perfect
delight! And who would not have been excited when the whole town came to
the opening? ‘Oh,’ I thought, ‘now the eyes of all the public will be
on me! Where shall I hide myself?’ Well, I need not have worried myself,
sir--alas! Except the official personages, no one took the slightest
notice of me. They stood in a crowd on the river-bank, gazed like sheep
at the bridge, and did not concern themselves to know who had built
it.
Public-domain text, read in full here on John Shaqi.
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