The science of beauty, as developed in nature and applied in artHay, D. R. (David Ramsay)
Philosophy
The science of beauty, as developed in nature and applied in art
Hay, D. R. (David Ramsay)
Aesthetics; Nature (Aesthetics); Proportion (Art)
Take a cut-out ellipse of this kind, whose larger axis is equal in length
to the inscribing rectangle. Place it with its vertex upon the same
ellipse at _g_, so that its circumference will pass through C, and trace
it; remove its apix first to _p_, then to _q_, and proceed in the same
way to _q_, _r_, _s_, _t_, _u_, and _v_, so that its circumference will
pass through the seven divisions on _c g_ and _e_ C: _v o_, _u n_, _t m_,
_s i_, _r k_, _q j_, _p l_, and _g x_, are parts of the larger axes of
the ellipses from which the curves are traced. The small ellipse of which
the ends of the parts are formed is that of (¹⁄₃).
[Sidenote: Plate XVIII.]
In the diagram (Plate XVIII.), I endeavour to exhibit the geometric
construction of the ancient Grecian ornament, commonly called the
_Honeysuckle_, from its resemblance to the flower of that name. The first
part of the process is similar to that just explained with reference to
the antefixæ of the Parthenon, although the angles in some parts differ.
The contour is determined by the circumference of an ellipse of (¹⁄₃),
whose major axis A B makes an angle of (¹⁄₉) with the vertical, and
the leaves or petals are arranged upon a portion of the perimeter of a
similar ellipse whose larger axis E F is in the vertical line, and these
parts are again arranged upon a similar ellipse whose larger axis C D
makes an angle of (¹⁄₁₂) with the vertical. The first series of curved
lines proceeding from 1, 2, 3, 4, 5, 6, 7, and 8, are between K E and H
C, part of the circumference of an ellipse of (¹⁄₃); and those between C
H and A G are parts of the circumference of four ellipses, each of (¹⁄₃),
but varying as to the lengths of their larger axes from 5 to 3 inches.
The change from the convex to the concave, which produces the ogie forms
of which this ornament is composed, takes place upon the line C H, and
the lines _a b_, _c d_, _e f_, _g h_, _i k_, _l m_, _n o_, and _p q_, are
parts of the larger axis of the four ellipses the circumference of which
give the upper parts of the petals or leaves.
This peculiar Grecian ornament is often, like the antefixæ of the
Parthenon, combined with the curve of the spiral scroll. But the volute
is so well understood that I have not rendered my diagrams more complex
by adding that figure. Many varieties of this union are to be found in
Tatham’s etchings, already referred to. The antefixæ of the Parthenon,
and its only other ornament the honeysuckle, as represented on the soffit
of the cornice, are to be found in Stewart’s “Athens.”
APPENDIX.
No. I.
Public-domain text, read in full here on John Shaqi.
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