The science of beauty, as developed in nature and applied in artHay, D. R. (David Ramsay)
Philosophy
The science of beauty, as developed in nature and applied in art
Hay, D. R. (David Ramsay)
Aesthetics; Nature (Aesthetics); Proportion (Art)
I shall here take the liberty to repeat the proofs I advanced in a former
work as the ground of this belief, and to which the author, from whose
essay I have quoted, undoubtedly refers. It is well known that, in the
time of Pythagoras, the treasures of science were veiled in mystery to
all but the properly initiated, and the results of its various branches
only given to the world in the works of those who had acquired this
knowledge. So strictly was this secresy maintained amongst the disciples
and pupils of Pythagoras, that any one divulging the sacred doctrines
to the profane, was expelled the community, and none of his former
associates allowed to hold further intercourse with him; it is even
said, that one of his pupils incurred the displeasure of the philosopher
for having published the solution of a problem in geometry.[28] The
difficulty, therefore, which is expressed by writers, shortly after the
period in which Pythagoras lived, regarding a precise knowledge of his
theories, is not to be wondered at, more especially when it is considered
that he never committed them to writing. It would appear, however, that
he proceeded upon the principle, that the order and beauty so apparent
throughout the whole universe, must compel men to believe in, and refer
them to, an intelligible cause. Pythagoras and his disciples sought for
properties in the science of numbers, by the knowledge of which they
might attain to that of nature; and they conceived those properties to
be indicated in the phenomena of sonorous bodies. Observing that Nature
herself had thus irrevocably fixed the numerical value of the intervals
of musical tones, they justly concluded that, as she is always uniform
in her works, the same laws must regulate the general system of the
universe.[29] Pythagoras, therefore, considered numerical proportion as
the great principle inherent in all things, and traced the various forms
and phenomena of the world to numbers as their basis and essence.
Public-domain text, read in full here on John Shaqi.
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