The science of beauty, as developed in nature and applied in artHay, D. R. (David Ramsay)
Philosophy
The science of beauty, as developed in nature and applied in art
Hay, D. R. (David Ramsay)
Aesthetics; Nature (Aesthetics); Proportion (Art)
But let that pass. We find Dr Zeising next endeavouring to square his
theory with the distances of the planets, with wofully scanty success.
Descending from his lofty position, he spans the earth from corner to
corner, at which occupation we will leave him for a moment, whilst we
offer a suggestion which is equally applicable to poets, painters,
novelists, and theorisers. Never err in excess—defect is the safe side—it
is seldom a fault, often a real merit. Leave something for the student
of your works to do—don’t chew the cud for him. Be assured he will not
omit to pay you for every little thing which you have enabled him to
discover. Poor Professor Zeising! he is far too German to leave any
field of discovery open for his readers. But let us return to him; we
left him on his back, lost for a time in a hopeless attempt to double
Cape Horn. We will be kind to him, as the child is to his man in the
Noah’s ark, and set him on his legs amongst his toys again. He is now in
the vegetable kingdom, amidst oak leaves and sections of the stems of
divers plants. He is in his element once more, and it were ungenerous
not to admit the merit of his endeavours, and the success which now and
then attends it. We will pass over his horses and their riders, together
with that portly personage, the Durham ox, for we have caught a glimpse
of a form familiar to our eyes, the ever-to-be-admired Parthenon. This
is the true test of a theory. Unlike the Durham ox just passed before
us, the Parthenon will stand still to be measured. It has so stood for
twenty centuries, and every one that has scanned its proportions has
pronounced them exquisite. Beauty is not an adaptation to the acquired
taste of a single nation, or the conventionality of a single generation.
It emanates from a deep-rooted principle in nature, and appeals to the
verdict of our whole humanity. We don’t find fault with the Durham ox—his
proportions are probably good, though they be the result of breeding
and cross-breeding; still we are not sure whether, in the march of
agriculture, our grandchildren may not think him a very wretched beast.
But there is no mistake about the Parthenon; as a type of proportion it
stands, has stood, and shall stand. Well, then, let us see how Dr Zeising
succeeds with his rule here. Alas! not a single point comes right. The
Parthenon is condemned, or its condemnation condemns the theory. Choose
your part. We choose the latter alternative; and now, our choice being
made, we need proceed no further. But a question or two have presented
themselves as we went along, which demand an answer. It may be asked—How
do you account for the esteem in which this law of the section in
extreme and mean ratio was held? We reply—That it was esteemed just in
the same way that a tree is esteemed for its fruit. To divide a right
angle into two or three, four or six, equal parts was easy enough. But
to divide it into five or ten such parts was a real difficulty. And how
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