The volume is full of interest, as presenting a view of the native literature of the Highlands in the 15th and 16th centuries, while it contains productions of a much earlier age. The fragments which it contains are both Scottish and Irish, showing how familiar the bardic schools were with the productions of both countries. Much of the contents consists of fragments of what is usually called Ossianic poetry--compositions by Ossian, by Fergus filidh his brother, by Conall MacEdirsceoil, by Caoilte M’Ronan, and by poets of a later age, who imitated these ancient bards, such as Allan MacRorie, Gilliecallum Mac an Olla, and others. The collection bears on one of its pages the name “Jacobus M’Gregor decanus Lismorensis,” _James M’Gregor, Dean of Lismore_, and it has been conjectured from this fact and the resemblance of the writing in the signature to that of the body of the manuscript, that this was the compiler of the work. That the manuscript was the work of a M’Gregor is pretty evident. It contains a series of obits of important men, most of them chiefs and other men of note of the clan Gregor, and there are among the poetical pieces of a date later than the Ossianic, numerous songs in praise of that clan. It seems, however, that M’Gregor had a brother called Dougal, who designates himself _daoroglach_, or “apprentice,” who had some share in making the compilation. These M’Gregors belonged to Fortingall in Perthshire, although James held office in the diocese of Argyll. He was vicar of the parish of Fortingall, and it is presumed usually resided there. In giving specimens from M’Gregor’s collection, it may be desirable to treat of the whole of what is called the Ossianic poetry. It is in this collection that we find the earliest written specimens of it, and although Macpherson’s Ossian did not appear for two centuries later, it seems better to group the whole together in this portion of our notice. The word “ursgeul” was applied by the Highlanders to these poetical tales. This word has been translated “a _new_ tale,” as if the _ùr_ here meant “new” in contradistinction to older tales. But the word _ùr_ meant “noble” or “great,” as well as “new,” and the word as so used must be understood as meaning a “_noble_ tale” in contradistinction to the _sgeulachd_, or other tale of less note. From what source M’Gregor derived his materials is not said, but the probability is that he was indebted both to manuscripts and to oral tradition for them. We shall here give a specimen of the Dean’s collection as it appears in the original, with a version in regular Gaelic spelling, and an English translation. It is the poem usually called “Bàs Dhiarmaid,” or _the Death of Diarmad_. A HOUDIR SO ALLANE M’ROYREE.