The Scouring of the White Horse; Or, The Long Vacation Ramble of a London ClerkHughes, Thomas
General
The Scouring of the White Horse; Or, The Long Vacation Ramble of a London Clerk
Hughes, Thomas
White Horse, Vale of (England)
“The air, Sir, all the downs air,” said the Doctor; “I call them Doctor
Downs. Do more for the appetite in six hours than I can in a week.
Here, Peter, get this gentleman some of your mistress’s walnut pickles.”
And then the good-natured Doctor fell to upon his beef again, and
chatted away with the scholars and me, and soon made me feel myself
quite at home. I own that I had done my neighbours a little injustice;
for they were pleasant enough when the ice was once broken, and I
daresay didn’t mean to be rude after all.
As soon as I had finished my supper, the shorter of the scholars handed
me a large cigar, the first whiff of which gave me a high idea of
the taste of my contemporaries of the upper classes in the matter of
tobacco.
Just then the verse of a song, in which two or three men were joining,
rose from the other end of the tent, from amidst the hum of voices.
“I wish those fellows would sing out,” said the short scholar; “I can’t
make out more than a word or two.”
“You wouldn’t be any the wiser if you could,” said the other; “we
have ceased to be a singing nation. The people have lost the good old
ballads, and have got nothing in their place.”
“How do you know?” said the short scholar; “I should like to hear for
myself, at any rate.”
“What sort of ballads do you mean, Sir?” said I to the long scholar.
“Why, those in the Robin Hood Garland, for instance,” said he. “Songs
written for the people, about their heroes, and, I believe, by the
people. There’s nothing of the sort now.”
“What do you say to ‘There’s a Good Time Coming’?” asked the short
scholar.
“Well, it’s the best of them, I believe,” said the other; “but you know
it was written by Mackay, an LL.D. Besides, it’s essentially a town
song.”
“It’s a tip-top one, at any rate,” said the short scholar; “I wish I
could write such another.”
“What I say, is, that the popular songs now are written by
_litterateurs_ in London, Is there any life or go in ‘Woodman spare
that Tree,’ or ‘The Old Arm-Chair’? and they are better than the
slip-slop sentimental stuff most in vogue.”
“What a discontented old bird you are!” said the short scholar; “you’re
never pleased with any product of this enlightened century.”
“Let the century get a character, then; when it does, we shall get some
good staves. I’m not particular; a brave story, or a quaint story, or a
funny story, in good rough verse, that’s all I ask for. But, where to
find one? Here’s the Doctor for umpire. I say, Doctor, don’t you agree
with me, now?”
“Not quite,” said the Doctor, looking up from his cold beef. “I dare
say you wouldn’t think them worth much; but there are plenty of ballads
sung about which you never hear.”
“What! real modern ballads, written by some of the masses, in this
century, for instance? Where did you ever hear one, Doctor? What are
they like, now?”
Public-domain text, read in full here on John Shaqi.
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