The antiquities of Cornwall have called forth a very considerable quantity of learned literature, but, with the exception of the picturesque and graphic matter furnished by Wilkie Collins, Philip Henry Gosse, and, in lesser degree, by the writer just quoted, the county is not popularly known. Mr. Collins’s description of Looe, an ancient Cornish fishing‐town, will be read with interest. He says: “The first point for which we made in the morning was the old bridge, and a most picturesque and singular structure we found it to be. Its construction dates back as far as the beginning of the fifteenth century. It is three hundred and eighty‐four feet long, and has fourteen arches, no two of which are on the same scale. The stout buttresses built between each arch are hollowed at the top into curious triangular places of refuge for pedestrians, the roughly‐paved roadway being just wide enough to allow the passage of one cart at a time. On some of these buttresses, towards the middle, once stood an oratory, or chapel, dedicated to St. Anne, but no traces of it now remain. The old bridge, however, still rises sturdily enough on its old foundations; and, whatever the point from which its silver‐grey stones and quaint arches of all shapes and sizes may be beheld, forms no mean adjunct to the charming landscape around it. “Looe is known to have existed as a town in the reign of Edward I., and it remains to this day one of the prettiest and most primitive places in England. The river divides it into East and West Looe, and the view from the bridge, looking towards the two little colonies of houses thus separated, is in some respects almost unique. At each side of you rise high ranges of beautifully‐wooded hills; here and there a cottage peeps out among the trees, the winding path that leads to it being now lost to sight in the thick foliage, now visible again as a thin serpentine line of soft grey. Midway on the slopes appear the gardens of Looe, built up the acclivity on stone terraces one above another, thus displaying the veritable garden architecture of the mountains of Palestine, magically transplanted to the side of an English hill. Here, in this soft and genial atmosphere, the hydrangea is a common flower‐bed ornament, the fuchsia grows lofty and luxuriant in the poorest cottage garden, the myrtle flourishes close to the sea‐shore, and the tender tamarisk is the wild plant of every farmer’s hedge. Looking down the hills yet, you see the town straggling out towards the sea along each bank of the river in mazes of little narrow streets; curious old quays project over the water at different points; coast‐trade vessels are being loaded and unloaded, built in one place and repaired in another, all within view; while the prospect of hills, harbour, and houses thus quaintly combined together is closed at length by the English Channel, just visible as a small strip of blue water pent in between the ridges of two promontories which stretch out on either